Rare attractions on the reserve

WEST of Marlow is prime walking country, with the Chiltern Way leading out through Bovingdon Green towards Rotten Row and picturesque Hambleden.

Enticing footpaths split off in every direction, and those favouring a circular loop can take a four-mile circuit from the Royal Oak that takes in both a section of the Chiltern Way and Marlow Common.

One highlight along the route is Homefield Wood, a site of special scientific interest owned by the Forestry Commission and managed by the Berkshire, Buckinghamshire and Oxfordshire Wildlife Trust.

LIGHT AND SHADE: fern fronds lit by the sun PICTURE: Graham Parkinson

Here, the chalk grassland of the small but peaceful nature reserve makes it one of just three sites in the country where rare military orchids can be found – not to mention offering a perfect habitat for birds, butterflies, moths and other insects.

WELCOME GUEST: bees are vital for pollination PICTURE: Graham Parkinson

The nature reserve may be small, at about 15 acres, but the herb-rich grassland offers a chance to see Chiltern gentians and upright brome grass, as well as a variety of orchids, though visitors need to be careful to avoid trampling rare plants that may not yet be in flower when the reserve is at its busiest towards the end of May and in early June.

As reserves manager Mark Vallance explains, the military orchid is so called because its dense spikes of pinkish-violet flowers have petals and sepals folded in such a way that they resemble a knight’s helmet, with the lower petal shaped like a human form with ‘arms’ and ‘legs’, and spots which resemble buttons on a jacket.

IN THE PINK: foxgloves flourish in late spring, bringing a splash of colour to the woods

Ferns and foxgloves make Homefield a delight in the late spring, and the wood has a mixture of young beech plantations, with some conifers and many native trees.

Resident and visiting species of birds include chiffchaff, cuckoo and blackcap. Tawny owls can often be heard calling during the day.

PARTRIDGE FAMILY: a variety of birds can be found in the woods PICTURE: Graham Parkinson

It’s only a couple of miles west of Marlow but parking is very limited, so getting there on foot is an environmentally kinder and more enjoyable way to travel.

MORNING LIGHT: Homefield features a variety of different trees PICTURE: Graham Parkinson

There’s been woodland on this warm slope for at least 200 years, though forestry work has created many changes. Nowadays the reserve is made up of beech, ash, sycamore and whitebeam with glades and open grassland.

CAUGHT ON CAMERA: deer browse woodland shrubs and herbs PICTURE: Graham Parkinson

The rides and glades are home to a range of mammals too, from inquisitive squirrels to shy fallow and roe deer. But for sheer variety, the prize has to go to the huge population of butterflies and moths.

WOODLAND CHOIR: a robin strikes up a song PICTURE: Graham Parkinson

Butterfly species range from the marbled white and white-letter hairstreak to the silver-washed fritillary and some 400 species of moth have been recorded, including blotched emerald and striped lychnis.

SUMMER DANCE: butterflies and moths flourish at Homefield PICTURE: Graham Parkinson

Visit the BBOWT website for more information about Homefield Wood and how to get there.

Picture of the week: 28/09/20

THE natural world dominates Jane Duff’s art in the same way it has dominated her life, and our latest Picture of the Week reflects that.

Jane’s childhood was an idyllic existence on the edge of Snowdonia in which she was largely left to her own devices, riding her bike or climbing hills with her dog as her faithful companion. By university her horizons were broadening and she was to spend much of her early twenties in the Nepal Himalayas, initially trekking and camping alone and later becoming a guide herself, taking groups for weeks at a time through Nepal’s magnificent peaks and forests.

When she returned to the UK a few years later to work for OUP as art editor, her passion was for photography and it was not for many years that she turned her hand to drawing and painting.

This led to her enrolling in an arts foundation course and her interest in the natural world also led to an advanced diploma in environmental conservation at Oxford University. She now fuses her interest in the environment with her love of painting.

Landscapes dominate much of her work as demonstrated by Winter Snow in the Wetlands, a 60x60cm oil on canvas painting of the Earth Trust’s River of Life wetland project near Wallingford.

Winter Snow in the Wetlands by Jane Duff

She is also a volunteer for The Earth Trust in Little Wittenham and an avid supporter of their efforts to create new wetlands and improve water ecosystems along the River Thames and River Thame, as well as several new ponds in Little Wittenham woods, home to one of the country’s most significant populations of great crested newts.

“The new ponds, reedbeds, backwaters, wildflower meadows and wet woodland provide vital habitats for wildlife including otters, water voles, club-tailed dragonflies, kingfishers, skylarks , yellowhammers,” she says.

“Regular monitoring has shown that hundreds of thousands of fish fry are using the channels as a safe haven and that 12 of the Thames’ 20 species of fish are already present.”

Woolly thistle on Wittenham Clumps nature reserve by Jane Duff

Phase Two of the project will involve creating wetlands between Little Wittenham and Clifton Hampden and is due to start in 2021.

“The Earth Trust do amazing work,” she says “They look after miles of footpaths and open access land over Wittenham Clumps enjoyed by over 150,000 people per year as well as running a farm and an environmental education programme for local schools.

“ I’m not sure if the general public realise how much work is involved maintaining the paths and hedgerows and forests. Things are really tough for them as for many charities and they do need our support, especially right now.”

Jane put together a solo exhibition entitled Wildsong at the North Wall Arts Centre in Oxford showing 55 paintings of some of the wildest landscapes in the UK, including several west country seascapes and many paintings of the Welsh moors and mountains.

Early Spring in the Coed y Brenin by Jane Duff

They showed remote, dramatic and elemental landscapes – even if she laments there is no true ‘wilderness’ still to be found in the British countryside.

At present she is preparing for a solo exhibition at West Ox Arts gallery in Bampton in Feb-March 2021 entitled A Love of the Land.

Oxfordshire may lack the more dramatic landscapes reflected in her paintings of Mid-Wales, North West Scotland or the far west of Cornwall, but the softer surroundings of Oxfordshire nature reserves, heathlands, woodlands, chalk downs and open spaces, as well as the River Thames and its many tributaries, provide their own inspiration, she insists.

Light over Loch Kentra, Ardnamurchan by Jane Duff

Jane loves the ever-changing light of wild places, as well as the solitude and peace which helps to concentrate the mind, and despite the practical challenges of painting in situ she tries to do so whenever possible.

“I immerse myself in a landscape for hours, absorbing the atmosphere, the play of light and shadows, the textures and colours of the vegetation before finding the place that moves me enough to want to put up my easel and paint there,” she told OX magazine in an interview last year ahead of her Wildsong exhibition.

“I often struggle to get started and procrastinate a lot as I love it all too much! I find it overwhelming. But once I start I am away with a burst of energy and find myself reacting instinctively to the landscape, bringing the emotions, weather and light of the place into my paintings.

“I will often finish a painting in one sitting but will equally often work further on a painting back in the studio. It can make me a bit nervous painting in remote places especially if there are curious cows and horses around so if this happens, I sometimes pack up and go home armed with sketches and photographs. My two dogs sit alongside me for hours. They must wonder what on earth I am doing.”

She works mostly in oils, cold wax and acrylic and often on a large scale.

She firmly believes that art has a part to play not only in reminding people of the beauty of the landscape but highlighting the importance of protecting habitats and their biodiversity.

“We have such fantastic landscapes in the UK – we are fortunate beyond belief to have so much packed into such a small island. Thank heavens for the National Trust protecting so much of our beautiful British coastline and for our wonderful National Parks and nature reserves. Some of my paintings are of Sydlings Copse, a BBOWT nature reserve under threat from encroaching development to the north of the Oxford ring road.

Sydlings Copse by Jane Duff

“It is small – only 22 hectares – and is considered by many to be the jewel in the crown of Oxfordshire nature reserves. It has heathlands, amazing wildflower meadows, broadleaved woodland and a rare fen and supports over 400 plant species. It is of international ecological importance yet it is still under huge pressure from development.

“We need to respect and protect our natural world much more than we do. If an area is designated greenbelt, AONB, SSSI, SAC or SPA or landscape conservation area it means that it is likely to have very high biodiversity or landscape value and too often local authorities and government disregard their protection status such as with the recent loss of Calvert Jubilee nature reserve near Aylesbury.

Reedmace in Winter by Jane Duff

“This precious flagship reserve has a lake which is a haven for overwintering wildfowl, waders, bittern and tern and it has wildflower meadows with all five species of the rare UK hairstreak butterfly yet it is in the process of being razed to the ground to make way for HS2.

“One can’t always mitigate against loss of some habitats. It takes a very long time for a woodland to regrow with its complex ecology so we must do everything we can to take care of these special places. They are irreplaceable and I would say that it is deeply immoral to destroy them. I’m not sure if I’ve left it too late to paint Calvert jubilee nature reserve but I fear I might.”

You can see Jane’s work at The Wykeham Gallery, Stockbridge, at Iona House Gallery, Woodstock or through her website or Instagram account.