INTO THE NIGHT: Jay Nolan-Latchford creates a mystical mood
SOME 300 artists and craftspeople across Buckinghamshire open their doors to the public today for the last day of this year’s Bucks Art Weeks displays.
The three-week programme began on June 9 and features open studios and displays from across the county, ranging from north of Milton Keynes to Maidenhead and Henley in Berkshire.
Many of the artists have joined forces to create local art trials around key centres like Princes Risborough, Amersham and Chesham.
In the Chalfonts, seven artists and makers have been featuring their work over three venues. Working from her gorgeous garden studio in Chalfont St Giles, Julie Rumsey has branched out into mixed media work using acrylic as well as her eye-catching collagraphs, many of which have been inspired by ancient naïve artefacts.
SENSE OF HISTORY: An Epsiode of Sparrows by Julie Rumsey
She exhibits alongside contemporary fine artist E J England, who often uses damaged vintage books as a canvas.
Her works are inspired by the landscapes, cityscapes, flora and fauna of the British Isles and this year her collection also features large, mixed-media paintings alongside her more intimate Lost Books collection.
LARGE SCALE: a mixed-media work by E J England
Not all venues are still open for the final weekend, but many local artists have their work featured at other events in the run-up to Christmas. Jay Nolan-Latchford, for example, only exhibited during the first half of the Art Weeks event, her eclectic body of art and home decor ranging from watercolour illustrations with embellishments (see above) through to large mixed media canvases.
Her website name, Johnny Johnstone Art, is in memory of her grandfather who, like herself, was “an avid collector of intriguing things, a lover of rare orchids and a huge influence in my formative years”.
But if you missed Jay’s display this time round, her work will be on show at a number of shows and fairs in the run-up to Christmas at Thame Town Hall and Broadmoor Farm, Haddenham.
Over in Amersham at St Michael & All Angels Church, the Simpatico art group have been delighted to be doing a flourishing trade during the three-week event, selling many of their original works.
STORMY WATERS: a seascape by Jenny Thompson
Simpatico is a group of self-taught artists living in the Chilterns who paint in a variety of mediums and styles. The amateurs all belong to the Beechwood Artists Group and paint together on a regular basis whenever they can.
Cecile Gallina, Liz Grammenos, Beverley Parkin and Jenny Thompson joined forces with Candida Hackney to host this year’s exhibition at the church, running daily throughout the whole three weeks and forming part of a larger Amersham Art Trail featuring 20 exhibitors.
UP TO THE RIDGE: one of Christine’s AONB landscapes
PLENTY of artists draw their inspiration from the beauty of the Chilterns countryside.
What makes Christine Bass’s contemporary landscapes so unusual is the vividness of her tropical colour schemes, which betray her Trinidadian roots.
More than 30 of the paintings on her website feature extraordinary scenes across the Chilterns Area of Outstanding Natural Beauty from Ivinghoe Beacon to Bledlow Ridge.
NEAR BLEDLOW: original acrylic and mixed media
Her landscapes are characterised by strong lines and shapes, flattened planes and the use of vibrant colour. She grew up in Trinidad and it’s easy to see how the bright light and vivid colours of the tropics still exert an influence in her paintings.
She draws inspiration from the countryside where she lives, on the Buckinghamshire border with Hertfordshire and Bedfordshire – and her work is on show until Sunday June 24 as part of this year’s Bucks Arts Weeks displays.
She is one of nine artists and craft workers currently showing their work in the atmospheric surroundings of St Dunstan’s Church in Monks Risborough.
FAVOURITE WALK: a track beneath Ivinghoe Beacon
Although other parts of England feature in her paintings too, from the South Coast to Cornwall and the Lake District, the gentle beauty of the Chiltern Hills provides a constant source of pleasure, her pictures capturing the patterns of fields scored by furrows and bounded by hedgerows, the bare trees of winter, the colours of crops and of the seasons.
Christine’s blogsite contains more details about her work and career. The show at St Dunstan’s runs until 5pm on Sunday. Other Bucks Arts Weeks events take place across the county throughout the week, with more than two dozen artists featured on the Princes Risborough Art Trail, which includes venues at Askett and Bledlow.
BLUEBELLS: Brian Robinson’s watercolours in Hastoe
HUNDREDS of local artists and makers across Buckinghamshire throw open their doors this month to showcase their work.
Rebranded this year as Bucks Art Weeks – to tie in with similar events across Oxfordshire in May – the Bucks Open Studios event offers the public a unique opportunity to meet artists, sculptors, printmakers, photographers and jewelry makers to talk about their work and see them in action.
The annual June event is run by the Visual Images Group, an alliance of artists and makers living and working in the county who open their studios or hold exhibitions and events showcasing and demonstrating their work.
Many of the works on show have natural and wildlife themes, from the watercolours of Brian Robinson inspired by local landscapes to paintings and photographs depicting animals and scenery from every corner of the world.
Brian’s Out & About collection is on show alongside work from seven other artists in the historic Hastoe Village Hall near Tring, where visitors can also sample cream teas and watch demonstrations.
Just over the Buckinghamshire border into South Northamptonshire, Louise M Thomas in Potterspury is a painter of representational and abstract works depicting water and landscape subjects in a variety of media, while in Quainton, Andrew Stock’s paintings and etchings of the natural world take visitors on a journey from the Antarctic to the Atlas Mountains of Morocco.
RISING TIDE: Andrew Stock is inspired by nature
A past president of the Society of Wildlife Artists (SWLA), Andrew is an artist inspired by the natural world who likes to work in the field wherever possible. Wildlife, especially birds, as well as land and seascapes feature prominently in his exhibition of oil paintings, watercolours and etchings.
SUNSET: Sue Gosney’s work is on show in Rowsham
Sue Gosney also gains inspiration from the places she visits, both in the UK and abroad, working from ‘real life’ landscapes or seascapes whenever possible. She will be exhibiting with four other artists at Sunneyhill Barn in Rowsham, where visitors can also enjoy workshops, live music and home-made refreshments.
SPRINGTIME: Karin Frieldi at College Lake
Another painter inspired by the beauty of nature is Karin Friedli of the College Lake Artists group, whose expressive style tries to capture the intensity of the light at different times of the day and explore the mood and energy of the landscape in varying weather patterns and changing seasons. She is one of a number of artists exhibiting at the College Lake Nature Reserve near Tring.
VIBRANT: Sally Bassett’s grazing sheep
Another of the artists on show at Hastoe Village Hall is Sally Bassett, whose vibrant paintings follow from sketches made in her small sketch book, this year capturing the wild sea coasts of the West Country and the changing seasons, from snow and ice to blossoming orchards and wild flower meadows.
SEASCAPES: Susan Langford in Weston Turville
Meanwhile, over at Weston Turville, Susan Langford finds inspiration for her landscapes and seascapes from bisits to Devon, Cornwall and Northumberland, as well as her local area.
JURASSIC COAST: Danny Ewers is based in Aylesbury
Aylesbury photographer Danny Ewers also turns to coastal landscapes for inspiration, working with filters and long exposure techniques around the Jurassic Coast, which runs from East Devon to Studland Bay in Dorset. Wildlife photography is an equal passion, with a favourite subject in recent years being the red squirrels of Brownsea Island.
More than 500 artists are featured at venues across Buckinghamshire. Free hard copy directories are available from art galleries, libraries, tourist information centres and participating venues. The event runs until June 24.
HUNGER PANGS: a red kite drops in for a snack [PICTURE: Emmi Birch]
RED KITES have become virtually synonymous with the Chiltern Hills over the past 20 years, but it wasn’t always that way.
Once a common sight in the towns and cities of medieval Britain, the birds had become virtually extinct by the end of the 19th century after a couple of centuries of human persecution, with perhaps as few as a dozen pairs surviving against all the odds in a sparsely populated region of central Wales.
Nowadays the Chilterns is one of the best places in the UK to see red kites, thanks to a successful re-introduction project between 1989 and 1994 – and it was that re-emergence of the species which prompted Emmi Birch to set up a Facebook group for people to share photographs of the magnificent birds.
“The group was created in May 2016 to purely enjoy photographs and film of the red kites,” Emmi recalls. “Living in Buckinghamshire, I have had the pleasure of seeing the red kite population grow rapidly.
“Years ago, we would very occasionally see one and everyone would stop what they were doing and rush outside just to get a glimpse. We now have the privilege of seeing these incredible birds every day in the skies above us.”
Indeed the Chilterns Conservation Board nowadays publishes a leaflet about where to see red kites in the Chilterns, where there are now more than 300 breeding pairs.
Emmi is not alone in her appreciation of the birds, it seems. When she set up the group Red Kite Sitings UK she hadn’t anticipated that it would soon have more than 1,000 members.
SPLASH LANDING: a Welsh sighting in Ceredigion [PICTURE: Alan Ewart]
On the site’s welcome page, she wrote: “I’m hoping that this group will allow others to post their photographs and film of red kites from around the UK, so that those who aren’t familiar with these magnificent birds can enjoy them and those, like me, who never tire of seeing the kites can just indulge themselves looking at yet more photos and film of these beautiful birds of prey.”
Fellow enthusiasts haven’t been slow to share their pictures of kites soaring on the breeze all over the UK, a reflection of the extraordinary success of this conservation movement, which had its roots in the foresight of some pioneering visionaries in the early 20th century who realised how close the birds were to extinction.
Contributors to the website include Fife-based enthusiast Allan Brown, who has posted a number of stunning pictures of the birds on the wing north of the border.
ON THE WING: a red kite at Argaty in Perthshire [PICTURE: Allan Brown]
Describing himself as an “enthusiastic amateur” photographer, Allan says: “I am interested in all raptors, but I particularly like red kites for their agility, acrobatics and colours.”
Another enthusiast who describes himself as “just an amateur with a camera” is Alan Ewart in Wales. He says: “I took up photography less than two years ago and I’m lucky enough to have two feeding stations both within an hour’s drive. Once I’d been once I was hooked on these magnificent birds.”
WELSH WONDER: a red kite at Bwlch Nant yr Arian [PICTURE: Alan Ewart]
The full story of the birds’ reintroduction is told in detail by Elfyn Pugh in an article for the online birdwatchers’ magazine Birds of Britain.
By the turn of the 20th century the remaining population were clinging on in their Welsh stronghold, having been plagued by unscrupulous egg collectors, shot for their skins and mounted as stuffed birds in glass cabinets.
PHOTO BOMB: Emmi’s site has contributors from all over the UK [PICTURE: Emmi Birch]
A determined group of individuals and landowners were appalled at the continuing destruction and formed the first kite committee in 1903 to start protecting nests, with the RSPB becoming involved a couple of years later.
But it wasn’t until the 1980s, with the red kite identified as a globally threatened species, that the RSPB and Nature Conservancy Council got together to discuss reintroducing the red kite to England and Scotland.
The programme has continued ever since, with colour-coded wing tags identifying the different places of fledging or release, from Yorkshire to Aberdeen and the Black Isle.
MAJESTIC: on the hunt at Glen Quaich [PICTURE: Allan Brown]
But the Chilterns remains a major stronghold and a perfect place to photograph the birds soaring on the thermals above Stokenchurch and Radnage.
Says Emmi: “My interest started around 13 or 14 years ago when I saw my first red kite fly over the garden. I was absolutely amazed by the size of it.”
In Wales the kite is a national symbol of wildlife and was voted the country’s favourite bird in a public poll run by the RSPB Cymru and BBC Wales poll and announced by Iolo Williams in the final episode of Iolo’s Welsh Safari.
He said: “The red kite is an extremely deserving winner with a hugely uplifting story of recovery from the brink of extinction. We can be proud that, when red kites were facing such a difficult time elsewhere in Britain, they hung on in Wales and have since gone from strength to strength.”
FEEDING TIME: Bwlch Nant yr Arian visitor centre [PICTURE: Alan Ewart]
The enthusiasm is not universal – the tabloids do run occasional stories of residents complaining about being dive-bombed by birds of prey, but Emmi’s page followers are sceptical about such lurid claims, pointing out that the birds are natural scavenger, not hunters, and tend to gather to feed on carrion, mainly dead rabbits, mice and pheasant, and animals killed on the road.
An RSPB spokesperson was quoted in one Daily Mail article reassuring people: “They are not the fearsome predators that people in the Victorian era thought them to be and they are not like a sparrowhawk or kestrel, which would go for a live prey.”
NATURAL SCAVENGER: kites prefer to feed on carrion [PICTURE: Emmi Birch]
Outside the breeding season the kite is a gregarious species and can be found in communal night time roosts, with up to 100 being counted in Britain and some 500 birds being counted in Spain, where large numbers of European kites spend the winter.
As Elfyn Pugh writes in his 2005 article: “It is a sobering thought but it is now clear that the remnant “native” British population of the red kite came perilously close to the brink of extinction. If that had been the outcome then we in Britain would have been deprived of one of our most magnificent and majestic birds of prey.”
That’s a sentiment Emmi and her fellow red kite enthusiasts would endorse. The distinctive whistling call of roosting kites is echoing loud and clear across the Buckinghamshire countryside these days – and long may that continue.
WET WOODLAND: Easter at Burnham
The snow may have gone but days of heavy rain have left Burnham Beeches pretty boggy over the Easter holiday weekend.
It’s muddy underfoot during our visit and with a wintry sun only managing the odd bright glimpse, it’s a reminder both of the limitations of my cheap and cheerful digital camera – and the fact that the website’s official launch date is looming.
Once the social media feeds are up and running and the website goes live, we will be looking for contributions from some of the amazingly talented amateur photographers out there in the Chilterns who are chronicling the landscape and its wildlife all year round.
We hope to launch a Picture of the Week feature to highlight some of the most dramatic of those shots – with the aim of it becoming a daily feature if there are enough submissions…
Stunning. That’s the word which springs to mind when you first glance through Paul Mitchell’s amazing portfolio of pictures chronicling the seasons in one of Britain’s most famous woodlands.
It’s a magical world which is constantly changing through the seasons, as Paul demonstrates in his startling photographs of Burnham Beeches – that tiny remnant of the ancient woodlands which once covered so much of the country.
Paul’s ‘album’ contains dozens of uncaptioned shots of the woods throughout the year – draped in snow, dappled by sunlight, looking mystical and enchanting, sometimes intriguing and welcoming, sometimes otherworldy and even scary.
He explains: “The portfolio is my response to this world of wonder and features images made in the icy grip of winter, the vibrancy of springtime, the green canopy of summer, through to the richness of autumn.”
Burnham Beeches was bought by the City of London Corporation in the latter part of the 19th century to safeguard the area from property developers and to protect its future for generations to come.
As Paul explains, the landscape of the Site of Special Scientific Interest was created by human management going back many centuries and has provided grazing land for livestock and fuel via the pollarding of beech and oak trees which has not only helped to prolong the lives of the trees, but help to give them their characteristic gnarled appearance.
Born in East Yorkshire, Paul now lives and runs his own design consultancy in Buckinghamshire and tries to devote most of his free time to photographing the landscape.
He has had numerous exhibitions and has had articles and images published in many photographic magazines.
Marcio Cabral’s award-winning Cerrado Sunrise
A picture of the vast ecological region known as the Cerrado in Brazil has won first place in this year’s International Garden Photographer of the Year.
Marcio Cabral of Brasilia, Brazil, scooped the award with his winning image entitled Cerrado Sunrise.
Tyrone McGlinchey, managing director of IGPOTY said: “Marcio has captured a spectacular vision of plant life in the Cerrado, displaying the beautiful flowers of Paepalanthus chiquitensis, stretching out on countless filaments towards the first light of the rising sun.”
Gardens and landscape scenes from all around the world have also been commended in the competition, showing nature in all seasons, from rolling hills of golden rice in China to a flower-smelling hamster in Austria.
Early Dinner by
It’s great to see Chalfont St Peter photographer Paul Upward expanding his portfolio of fine art prints based on local landscape photos he takes during early morning rambles in and around his home town.
Many of these photos are now being offered as mounted and framed prints available to buy through his online shop, priced between £40 and £150, depending on size and format.
Five per cent of the profits from these sales will be donated to an unusual local charity. Back in 1824 a villager from Chalfont St Peter, Maria Taylor, bequeathed a sum of £300 to be spent on buying bread, coals and blankets for the needy and destitute of her village at Christmas.
Paul writes on his website: “Almost 200 years later, Maria’s gift is still giving to vulnerable villagers who may not have the resources to spend a little extra at Christmas time and a small treat, hand delivered by the charity’s three trustees, can go a long way in making a person feel a little of the Christmas magic that some of us take for granted.”
Turville, Michael King’s stunning portrait of a red kite featuring in this year’s online exhibition from the Chiltern Society’s Photogroup
The Chiltern Society PhotoGroup’s 2018 online exhibition has just opened, now in its 14th year and featuring nearly 300 photos from Chiltern-based members.
Landscapes are the most popular subjects in the 2018 collection, closely followed by some spectacular flora and fauna. This year’s guest reviewer is Terry Coffey, a judge with the Chiltern Association of Camera Clubs, who particularly liked this wonderful shot of a red kite over smoky Turville by Michael King.
The society will be featuring more submissions from PhotoGroup members on its Twitter, Instagram & Facebook pages. Follow them @chilternsociety.