“This past year my inspiration has been found very close at home in the hedgerows and woods, fields and skies of Eynsham,” says Alice. “Daily dog walks have provided me with the opportunity to watch the seasons unfurl and glow.”
Alongside oils, monotypes, collage and pencil work she has been experimenting with applying watercolour with a calligraphy nib.
“It has proved an ideal technique for capturing the dancing light and canopy of leaves,” adds Alice, who studied at Edinburgh College of Art and has been teaching all kinds of art to adults and children for almost 20 years.
She says: “Many themes inspire me both from the human and natural world; plants and architecture, landscapes and rooftops. I see patterns everywhere and light and colour in their infinite combinations are an endless source of inspiration and challenge.”
Having lived and exhibited in Oxfordshire for more than two decades, Alice says she likes to approach the same subject in multiple ways, playing with different combinations of colour and composition.
“Like most artists I make art about the things I love,” she says. “As I find peace and healing when out in nature I try to create art on that theme in ways that will uplift and inspire.”
A PASSION for plants has driven the art career of Julia Loken, a watercolour artist based in Eynsham outside Oxford.
Without any formal training, Julia worked for 20 years as a freelance botanical illustrator, preparing pen and ink drawings for botanical textbooks. Then, in 1980, she began to paint seriously, when her love of plants naturally led her to choose them as her favourite subjects.
Living with her husband in a 220-year-old cottage with beautiful flower and vegetable gardens, she also enjoys painting a variety of country landscapes, both at home and abroad.
This weekend she is one of hundreds of local artists featured in the annual May festival organised by Oxfordshire Artweeks, where artists across Oxfordshire throw open their doors to the public.
Julia’s exhibition of around 40 watercolour paintings is spread across four well-ventilated adjoining rooms in her house.
A fellow of the Society of Botanical Artists, Julia participates regularly in their annual exhibitions in London and, having lived in Eynsham for over 50 years, has hosted Artweeks exhibitions since 1985.
“I am very fortunate in having a large garden, where I can indulge my passion for plant collecting, and cultivate many of the plants that I wish to paint,” she says. “I also enjoy painting local landscapes.”
For more than 35 years Julia has volunteered to spend one morning each week teaching plant drawing to young children at her local village school. She has also tried to instil in them a sense of wonder at the beauty of the natural world in our increasingly technological age.
“I am endlessly fascinated by the beauty and diversity of plant forms,” she says. Her exhibition runs from 11am-6pm on May 7 until May 9.
OXFORDSHIRE comes to life in intricate detail through the paintings of Jill Smith, our latest featured artist.
Born in London but living and painting in Oxfordshire, her “traditional” style makes her landscape paintings instantly recognisable – often the epitome of English life so often popularised through jigsaws and biscuit tins.
But if her portrait of Childrey Pond in the Vale of Oxford looks as quintessentially English as you could get – and a flashback in time to a past century – all is perhaps not quite as it seems.
Although the Downland village close to Wantage has been known for its pond for centuries, by 2005 all was not well, with the village website describing it as a “smelly, muddy puddle with green weed and slime, which even the ducks shunned”.
A major restoration project was needed to restore the pond – and Jill’s portrait certainly portrays the village in all its glory and in the sort of fine detail for which she is perhaps best known.
As an industrial chemist who later moved into IT, she says: “I think my ordered scientific background bleeds through in that my landscapes, flower studies and pet portraits are mostly realistic in style and quite detailed but from time to time I rebel from the traditional to let rip, splash paint about, see what happens and take it from there.”
Only too happy to try new techniques, Jill works in a variety of media from acrylics and oils to watercolours and linocuts and is largely self-taught – supported by attending various evening classes, painting workshops and the membership of local art societies.
“When painting I aim to capture those fleeting light effects on the landscape or colour combinations that transform a scene and make it special,” she says. Frequently inspired by local landscapes, Jill is one of hundreds of local artists featured in the forthcoming May festival organised by Oxfordshire Artweeks.
Traditionally May is the month when hundreds of artists across Oxfordshire open their doors to the public and many of those exhibiting have had their work featured in past Beyonder features, including Katie Cannon, Jane Duff, Maureen Gillespie and Sue Side.
This year her collection captures landscapes encountered out walking during lockdown, plus scenes from further afield, with a particular focus on her oil and acrylic paintings.
There is the added bonus of a ‘two-for-one’ visit with fellow artist Patsy Jones exhibiting her paintings and prints at the same COVID-secure sheltered outside venue in Patsy’s garden in Wantage.
“I’m lucky to be able to work in a spare bedroom that started out being organised but over time the flotsam and jetsam has spread to cover everywhere except the small desk where I sit to paint unless I’m working at an easel,” says Jill. “I’d love to invite you to view my ‘open studio’ but you’d hardly be able to sidle through the door.”