DOZENS of artists from across Oxfordshire throw open their doors this month for the UK’s oldest and biggest open studios event.
Oxfordshire Artweeks runs until May 29, allowing visitors to speak directly to hundreds of artists, makers and designers across the county in venues ranging from their own studios to pop-up galleries in local pubs, farms and churches.
The three-week long celebration of creative talent starts in south Oxfordshire and then moves north and west in mid-May before culminating in a week of events around the city of Oxford.
Those taking part range from painters and sculptors to artists specialising in ceramics, photography, textiles and sculpture, along with craftspeople working in wood, glass, mosaics and jewellery.
The annual event offers a chance to talk to artists about their work, watch demonstrations and even have a go yourself. Many items are for sale, ranging from postcards and prints for a few pounds to large-scale original works costing thousands.
The full programme includes 174 artists across South Oxfordshire whose work is on show until May 14.
Some towns, like Watlington, boast dozens of individual artists showing off their works, with some collaborating in shared spaces like those at Turville Studios or at Greenfield Farm at Christmas Common, which even boasts a pop-up cafe.
The focus moves to north and west Oxfordshire from May 13-21, when another 171 artists have their works on show.
The last week of the event runs from May 20-29 with another 100+ exhibitors in and around the city of Oxford.
RAILWAY enthusiasts may have a particular affection for Andrew Keenleyside’s gloriously colourful paintings of the countryside in and around Harpenden.
For one of his favourite sources of inspiration is the “Nickey Line” – a long disused line which once linked the towns of Hemel Hempstead and Harpenden, but much of which has been redeveloped as a cycle and walking path.
The Harpenden to Hemel Hempstead branch railway ran for almost nine miles between the West Coast main line from London to Birmingham and the Midland main line from London to Leicester.
With a nickname shrouded in obscurity – there are numerous theories about its origins – passenger demand was never high and further declined in the years between the wars.
By the end of 1946 the only regular passengers on the Harpenden train were a handful of schoolchildren and when passenger services were “temporarily” suspended because of national coal shortages, the service was never reinstated.
Although the last passengers travelled on the line in June 1947, the route remains popular with cyclists and walkers, as reflected in Andrew’s paintings, which use vivid colour and expressive impasto textures to try to capture the essence of the changing seasons.
“I admire Pissarro and Sisley in terms of their compositional themes, along with Henri Mattise and the Fauves with the vivid and exciting use of colour in their palette,” says Andrew, whose work has been exhibited at the Royal Academy of Arts in London and is also represented in private collections in the USA, the Far East, South Africa and Europe.
Freight services continued to run over part of the route until 1979, but while some of the line has disappeared under houses and roads, sections of the route remain recognisable, including some bridges and sections of embankment which feature in Andrew’s pictures.
HERTFORDSHIRE artists are taking their annual open studios event online next month.
And although the move was forced by ongoing coronavirus restrictions, it means this year Herts Visual Arts will be able to host an extraordinary range of virtual events around the clock.
The county network for artists and creatives is celebrating its 30th anniversary and to mark the event is planning 30 themes over 30 days for its annual #HertsOpenStudios celebration of local talent.
As well as a social media wall, the group website features dozens of artist’s galleries and videos of them at work in their studios or explaining their techniques, like the oil painting demonstration produced by Alexander James Gordon (below).
The month-long art celebration follows similar events earlier in the year in Buckinghamshire and Oxfordshire.
There will be live personal events and exhibition visits too, normally involving advance booking and social distancing restrictions.
But the virtual celebration means that visitors can seek out artwork and demonstrations at any of the day, popping back numerous times to explore different trails and techniques, with videos including studio tours, demonstrations and individual artists explaining and showing off their latest work.
The event runs from September 1-30 and features artists, artisans and designer-makers who live or work in or on the borders of Hertfordshire. Visit the Herts Visual Arts website for more details.
ART lovers in Buckinghamshire who enjoyed this year’s open studios events should make a note in their diaries for June 2020.
Once again, hundreds of local artists and makers across the county will be throwing open their doors for a fortnight next summer to showcase their work.
The Bucks Arts Weeks project – which follows similar events across Oxfordshire in May – allows the public a unique opportunity to hear artists, sculptors, printmakers, photographers and jewellery makers talk about their work and see them in action.
The open studios scheme has been running in Buckinghamshire since 1985 and all the events are free to the public – including exhibitions, pop-up displays and dozens of working studios.
From calligraphy to ceramics and sculpture to digital art, the skills on display include printmaking, jewellery, drawing and painting, metalwork and photography.
For wildlife and nature lovers, highlights include many works inspired by or reflecting the natural world, including animal portraits and sculptures, and paintings rooted in the local Chilterns landscape.
Geographically the open studios and exhibitions stretch from Milton Keynes and Buckingham in the north to Aylesbury, Chesham, High Wycombe, Chorleywood, Henley and Maidenhead, on the southern edge of the county.
Some towns like Princes Risborough, Amersham and Chesham have their own trail maps and exhibitors are grouped geographically to make it possible to visit a number at a time.
In 2020 the programme takes place from June 6 to June 21, incorporating three weekends.
Past highlights have included striking works by local artists like Sue Graham which have graphically illustrated the loss of birdsong from woods and gardens.
To the north of the county, the striking fine art photographs of David Quinn have reflected landscapes from the Outer Hebrides to Vietnam, while Katy Quinn has also found inspiration in the landscapes of Scotland and Scandinavia for her jewellery and glass art.
Pop-up exhibitions suddenly appear in churches and village halls across the county, but visitors have to slip into Bedfordshire to see the striking landscapes of Graham Pellow, who works in a variety of mediums and has found inspiration in his local surroundings since moving to Leighton Buzzard.
Another artist inspired by local landscapes is Alexandra Buckle, many of whose linocuts are woodland themed, reflecting her love of walking her dog in the woods. Her proximity to National Trust properties like Stowe, Waddesdon and Claydon also allows easy access to locations which can provide watery reflections and scenes with interesting combinations of colours or dramatic light.
Further south in the Chalfonts, working from her gorgeous garden studio in Chalfont St Giles, Julie Rumseyhas branched out into mixed media work using acrylic as well as her eye-catching collagraphs, many of which have been inspired by ancient naïve artefacts.
She haa exhibited alongside contemporary fine artist E J England, who often uses damaged vintage books as a canvas and whose works are inspired by the landscapes, cityscapes, flora and fauna of the British Isles.
Animals, flowers and the natural world also provide inspiration for the work of Jay Nolan-Latchford,whose eclectic body of art and home decor ranges from watercolour illustrations with embellishments through to large mixed media canvases.
Sally Bassett is another artist inspired by the Chiltern countryside, as well as the wild sea coasts of the west country. Her work explores and celebrates the seasons of the year, her paintings dynamic, bold and full of colour, energy and movement.
Similar themes are echoed by artist and tutor Susan Gray, who runs workshops and painting days from her studio in Wendover and exhibits in Cornwall and London, as well as in Buckinghamshire.
Also drawing inspiration from the beauty of the Chilterns countryside is Christine Bass, whose vivid tropical colour schemes betray her Trinidadian roots and feature extraordinary scenes across the Chilterns Area of Outstanding Natural Beauty from Ivinghoe Beacon to Bledlow Ridge.
She is one of a number of artists and craft workers who have shown their work in the atmospheric surroundings of St Dunstan’s Churchin Monks Risborough.
During the fortnight of displays and demonstrations, visitors can buy or commission work – or even try their hand at some of the skills or sign up for classes. Prices range from postcards and small gifts costing a few pounds to major pieces of original artwork or sculpture costing hundreds.
Hundreds of artists are featured at venues across Buckinghamshire from June 6 until June 21. Free hard copy directories are available from May from art galleries, libraries, tourist information centres and participating venues.