Day by day, November in the Chilterns

FRIDAY NOVEMBER 1

MISTY MAGIC: All Saints’ Day PICTURE: Sue Craigs Erwin

MISTY mornings and damp evenings often set the tone for November, so it was perhaps unsurprising that after all the hi-jinks of Halloween, many local photographers found haunting and atmospheric shots felt the most appropriate way to welcome in the new month.

Our calendar entry for November includes more than three dozen shots across the five counties which comprise our extraordinary Chilterns landscape, capturing the wildlife, flora and sunsets that help to make it such a magical time of year.

SEA OF GOLD: cobwebs at Princes Risborough PICTURE: Anne Rixon

In the run up to Halloween, a field of cobwebs near Princes Risborough caught the eye of Anne Rixon, transformed into a delicate sea of gold.

But a glorious picture which seemed to capture the magic of All Saints’ Day was Sue Craigs Erwin’s misty woodland scene which got widespread exposure through the Chesham Wildlife group and the Oxford Mail and Watford Observer camera clubs.

SATURDAY, NOVEMBER 2

FOR Graham Parkinson, there’s nothing to beat the glorious autumnal colours of our fabulous fungi, and his macro lens captured an array of stunning shapes and textures during a trip to Davenport Wood at Marlow.

FOREST FLAME: yellow stagshorn PICTURE: Graham Parkinson

It’s hard to pick a favourite from the selection, but few fungi are more startling than the bright yellow coral-like branches of the stagshorn.

The beautiful inedible fungus jumps out of the leaf litter, looking like a freshly set fire emerging from conifer stumps or roots, and is also known in the States as jelly antler fungus.

FASCINATION: thousands of species PICTURE: Graham Parkinson

The enduring fascination of fungi lies in their enormous variety, with thousands of different species offering an unlimited array of shapes and colours to be detected among the foliage.

Not that the uninitiated will want to get too close, perhaps: some of them are deadly and boast spine-tingling names like the destroying angel, funeral bell and death cap.

SUNDAY NOVEMBER 3

FOR some, getting out and about in nature is all about the wildlife, even if so many of our native creatures are quite difficult to spot.

LYING LOW: deer in Bushey Park PICTURE: Lesley Tilson

The undergrowth may be barer at this time of year, but that doesn’t always help, and the abundant leaf litter provides plenty of hiding places on the ground.

WELL INSULATED: sheep near Amersham PICTURE: Sue Craigs Erwin

But larger mammals stand out against the bracken and even familiar farmyard friends can have their own beauty in this autumnal landscape, the sheep looking well insulated against the chillier of the season’s winds.

MORNING GLOW: deer in Bushey Park PICTURE: Lesley Tilson

And when the skies oblige, there’s nothing like an early morning glow to lend a mystical feel to the most comfortable of silhouettes.

MONDAY NOVEMBER 4

IT’S the tail end of the deer rutting season, when stags are fighting for territory, and that can mean some pretty dramatic displays by competing males pumped full of testosterone.

CALL OF THE WILD: the rutting season PICTURE: Lesley Tilson

The rut begins in September and lasts until around early November, during which time stags engage in a series of behaviours aimed at showing off to the hinds and establishing their dominance.

If they’re not roaring fiercely or stamping the hround, they could end up literally locking antlers to fight for the right to mate with all the hinds in a “harem”.

WINNER TAKES ALL: the victor gets mating rights PICTURE: Lesley Tilson

Fights are ferocious and decisive and the winner takes all, but although the rut can be an amazing natural spectacle to witness, visitors to local deer parks are warned not to get too close to the competing stags.

TUESDAY, NOVEMBER 5

AT one point in The Essex Serpent, Sarah Perry writes: “A vixen drew near and turned her gaslight eyes upon him, then drew back and sat surveying him a while.”

“Gaslight eyes” is a gloriously poetic phrase to capture the extraordinary stare of a curious fox and that remarkable bright amber glow we associate with the mammals.

AMBER STARE: a curious fox PICTURE: Lesley Tilson

Perhaps it also has echoes of the “eyeshine” we associated with noctural creatures whose glowing eyes may be the first thing we see reflected in a torch or headlight at night.

The tapetum lucidum is a layer of tissue immediately behind the retina which reflects visible light back through the retina, increasing the light available to the photoreceptors.

When light shines into the eye of an animal having this “bright tapestry”, the pupil or the eye, appears to glow, emitting a range of colours from white and yellow to red, blue, pink and green.

WHO GOES THERE?: on the hunt PICTURE: Lesley Tilson

This unique adaptation allows for excellent night vision for nocturnal predators.

According to the Walking Mountains Science Center in America, generally mountain lions and bears have eyeshine in the yellow-to-red range. Deer and elk eyeshine is white, but moose eyeshine tends to be red. Rabbits and pikas have red eyeshine. Blue eyeshine is seen in other mammals, including horses. Foxes and domestic cats and dogs usually have green eyeshine, but cat eyeshine can also be orange to red.

WEDNESDAY NOVEMBER 6

LONDON poet and journalist Thomas Hood was no fan of November, it seems.

CLEAR VIEW: a Chilterns stream PICTURE: Lesley Tilson

Back in 1844 at the conclusion of his poem No! he penned the words:

No warmth, no cheerfulness, no healthful ease,
No comfortable feel in any member—
No shade, no shine, no butterflies, no bees,
No fruits, no flowers, no leaves, no birds,—
November!

OPEN ASPECT: Whiteleaf Hill PICTURE: Anne Rixon

But perhaps we need to remember that Hood was more familiar with the all-encompassing London smog of the mid-19th century rather than the clear air of the Chilterns: and indeed he was to die there from dropsy the following year.

So to combat his vision of a landscape with “No sky—no earthly view— No distance looking blue”, we’re published a trio of November views which rather give the lie to the idea of the month being one of smog and gloom!

LIGHT FANTASTIC: an Amersham sunset PICTURE: Gel Murphy

THURSDAY, NOVEMBER 7

IF Thomas Hood preferred to conjure up a somewhat bleak portrait of November, one Georgian poet had a distinctly more upbeat vision of the natural world.

Elizabeth Craven’s fascinating life was full of travel, love-affairs and scandals. Born into the upper class, she was pushed into marriage at 16 to Lord Craven and became a celebrated society hostess and beauty, as well as mother to seven children.

UPBEAT: sunlight over Latimer PICTURE: Sue Craigs Erwin

She went on to write a variety of poems, stories and plays, moving from Berkshire to France following separation from her husband in 1780 and living in seclusion there before travelling extensively all over Europe.

Later she went to live in Germany as the companion and eventually second wife of the Margrave of Ansbach before returning to England and mixing with the more rakish of the Regency set.

CLOSE OF DAY: blooms at sunset PICTURE: Gel Murphy

In her old age, she moved to Naples where she passed her time sailing, gardening and writing her memoirs, though a number of enigmatic gateposts at Hamstead Marshall near Newbury in Berkshire still stand as a reminder of the Craven family’s estates in the area.

But what’s all this got to do with the Chilterns countryside, you ask? Perhaps because we know Elizabeth Craven best for her most famous poem, one which remains popular at funerals today.

FAITHFUL EYES: Teddy the labrador

It’s a song of gratitude which begins:

I thank thee God, that I have lived
In this great world and known its many joys:

The songs of birds, the strong sweet scent of hay,
And cooling breezes in the secret dusk;
The flaming sunsets at the close of day,

Hills and the lovely, heather-covered moors;
Music at night, and moonlight on the sea,

The beat of waves upon the rocky shore
And wild white spray, flung high in ecstasy;
The faithful eyes of dogs, and treasured books,

The love of Kin and fellowship of friends
And all that makes life dear and beautiful.

TASTY TREAT: a winter snack PICTURE: Gel Murphy

Even on the bleakest of November days, it’s easy for us to relate to the “many joys” of which she writes and perhaps add our own favourites to her list of things that make life “dear and beautiful”.

FRIDAY, NOVEMBER 8

MIST and fog get a bad press in literature, and we have dozens of words capturing the dank, dreary and drizzly associations of such weather.

Around the country we get mizzle and mirk, smirr, fret and haar: and none of them sound particularly healthy.

BLURRED EDGES: mist in the woods PICTURE: Sue Craigs Erwin

In many novels, not least Susan Hill’s The Woman In Black, fog and mist roll in to warn us of impending doom. Her fog creeps in and out of alleyways and passages, “seething through cracks and crannies like sour breath”, a yellow, filthy, evil-smelling fog, menacing and sinister, disguising the familiar world and confusing the people in it.

BLIND MAN’S BUFF: en route to Widmer PICTURE: Carol Ann Finch

For her, it’s as if people were “having their eyes covered and being turned about, in a game of Blind Man’s Buff”, whereas Dickens in Bleak House envisions people on the bridges peeping over the parapets into a nether sky of fog, with fog all round them, as if they were up in a balloon and hanging in the misty clouds.

SENSE OF FOREBODING: fog among the trees PICTURE: Anne Rixon

But if authors like Dickens have helped us to associate such images with the smog of Victorian London or the bleak expanses of the Kent coast or Essex marshes, other writers paint a gentler and more kindly picture of such weather conditions.

In his 1948 poem The Smoky Smirr o Rain, George Campbell Hay writes evocatively:

The hills aroond war silent wi the mist alang the braes.
The woods war derk an’ quiet wi dewy, glintin’ sprays.
The thrushes didna raise for me, as I gaed by alane,
but a wee, wae cheep at passin’ in the smoky smirr o rain.

Unlike the fog’s sinister associations in The Strange Case of Dr Jekyll and Mr Hyde, Hay’s morning mist drifts gentle down, cool and kind and whispering, till land and sea disappear and all becomes “still an’ saft an’ silent in the smoky smirr o rain”.

TAKE OFF: a bird in the mist PICTURE: Gel Murphy

Much as we love the delicious shiver of darker associations and images, of Gothic novels where the grey pall recalls the wild moors of Wuthering Heights or the chilling howl of the Hound of the Baskervilles, we can relate to Hay’s softly silent world too.

When the edges of the landscape close in on us in a fine grey blur, sounds are muted and the air is damp, it may be that we feel blissfully calm and at peace with our silent surroundings, rather than fearing an approaching monster in the mist….

SATURDAY, NOVEMBER 9

SOMETIMES a sneaky snapshot of a cheeky squirrel is enough to brighten the greyest of days.

CHEEKY SMILE: a squirrel poses for the camera PICTURE: Sue Craigs Erwin

This ubiquitous woodland mammal may not be universally loved, but their incredible agility and cheerful demeanour often endear them to photographers struggling to capture more fast-moving, elusive or nocturnal wildlife, like weasels and stoats, bats and owls.

November’s glorious autumnal colours provide a spectacular backdrop on a sunny day, of course, but even some of our largest wild animals can blend into the background quite convincingly, and are alert to the sound of approaching footsteps.

AUTUMNAL COLOURS: a startled deer PICTURE: Sue Craigs Erwin

Wildlife photographers rely on a subtle combination of patience, skill and luck to produce their most spectacular shots, but for Phil Laybourne, one particular animal has been at the top of his bucket list for some time: the European polecat (Mustela putorius), part of the weasel family.

Detested by poachers and persecuted to the brink of extinction, polecats are roughly the size of their domesticated cousins, ferrets, but are nowadays a protected species in the UK under the Wildlife and Countryside Act 1981 and have been making something of a comeback in recent years.

BUCKET LIST: the European polecat PICTURE: Phil Laybourne

Part of the mustelidae family which includes species such the stoat, weasel, pine marten, otter and badger, as Phil’s startling portrait shows, polecats have a distinct bandit-like appearance, with white stripes across their dark faces.

They boast a two-tone coat with dark brown guard hairs covering a buff-coloured underfur, with a short, dark tail and rounded ears. Living in lowland wooded habitats, marshes and along riverbanks, they prey particularly on rabbits and have one litter a year in early summer.

SUNDAY, NOVEMBER 10

NOVEMBER is a month of remembrance, of poppies and poppy-strewn memorials, of old soldiers and wreath-laying ceremonies, of sombre thoughts of past battles and lost loved ones.

And in the wake of all the noise and light of bonfire night celebrations, Remembrance Sunday events across the world recall Armistice Day 1918, the end of hostilities in World War I.

LEST WE FORGET: poppies in Amersham PICTURE: Lesley Tilson

In countless brief, non-religious commemorations, wreaths are laid, the Last Post sounded and two minutes’ silence observed.

At the heart of these Royal British Legion events lies the reciting of the Exhortation, the best-known stanza of a poem written by British poet Laurence Binyon and published in The Times in 1914:

They shall grow not old, as we that are left grow old:
Age shall not weary them, nor the years condemn.
At the going down of the sun and in the morning
We will remember them.

REMEMBRANCE: recalling the fallen PICTURE: Lesley Tilson

Down on the North Cornish coast a couple of plaques commemorate the spot near Pentire Point, north of Polzeath, where Binyon composed the poem while sitting on the cliff-top looking out to sea a few weeks after the first British casualties of the war, at Mons.

In 1945 the second Sunday of November was adopted as a day of remembrance for both World Wars.

SILENT REFLECTION: the Amersham display PICTURE: Lesley Tilson

Over time, despite concerns at the occasion being hijacked by politicians and others to justify or promote military engagement, Binyon’s words have been claimed as a tribute to all casualties of war, regardless of state, with the events, wreaths and memorials offering an opportunity for silent personal reflection about all that is lost in times of war.

MONDAY, NOVEMBER 11

AFTER all the noise and light of bonfire night and diwali celebrations, as the plaintive Armistice Day notes of the Last Post die away it’s time to get out into the damp woods and soak up the sights and sounds of nature’s most spectacular fireworks show of the year.

NATURE’S FIREWORKS: autumnal hues PICTURE: Sue Craigs Erwin

For this fortnight in mid-November our woodlands are at their finest, clothed in a glorious array of yellow, gold and russet hues before the bright colours begin to fade and a spate of windy weather strips the branches bare.

It’s at this time of the year that our beech woods come into their full glory, with the gold and yellow foliage standing out against the wrinkled textures of the bark and littering paths in a riot of wonderful tints.

TEXTURE CONTRASTS: bark and leaves PICTURE: Sue Craigs Erwin

Mosses, lichens and intriguing fungi begin to disappear among the leaf litter, while youngsters and puppies rustle along the paths and more curious souls perhaps try to spot the difference between the leaves of the oak, hazel, birch or field maple.

Is that a lime or hornbeam, elm, larch or sycamore? Even if leaf fall occurs earlier than usual, as in 2010, 2015 and 2020 when there was a sudden rush of colour at the end of October, some foliage may still last till late November or even December.

COLOUR CURTAIN: dozens of shades PICTURE: Gel Murphy

Of course when it comes the realisation that autumn colours are gone and the leaves are bare is always a sombre moment. But for now, it’s time to make the most of that glorious fireworks display, when even on a cloudy day the trees themselves seem to be radiating light and dozens of different shades of colour delight the senses.

TUESDAY, NOVEMBER 12

AFTER so many dark, dank, dreary November days, clearer skies and plummeting temperatures can offer a dramatic change of perspective.

FIRE IN THE SKY: a dramatic sunrise PICTURE: Sue Craigs Erwin

And what better way of boosting our spirits than watching the sun come up?

In a world where staring at our mobile phones takes a huge toll on our physical and mental health, escaping into nature to watch the sun rise can be a transformative experience, helping to boost our mood and immune systems, not to mention inspiring us with a feeling of awe and helping us to see the world in a different light.

DIFFERENT LIGHT: the view at dawn PICTURE: Sue Craigs Erwin

Sunlight is good for our soul, they say: and perhaps setting the alarm a little earlier could be just the boost we need to help banish those November blues.

WEDNESDAY NOVEMBER 13

WHEN the skies finally clear of mirk and smirr, there’s no sight more cheering than a red kite soaring on the thermals against a deep blue sky.

Beloved by poets, ramblers and dog walkers but detested by gamekeepers and once persecuted to the brink of extinction, today their shrill, distinctive whistle has become synonymous with country life in the Chilterns.

ICONIC: the red kite PICTURE: Graham Parkinson

The graceful wings and distinctive forked tail cast a familiar shadow as they turn to catch the wind, several of them at a time wheeling effortlessly above the ridge, russet bodies catching the sun, sharp yellow bills glinting as those eyes scan the fields and hedgerows far below.

The poet David Cooke captures their place in history in the first stanza of Red Kites:

Plague birds, exquisite and focused,
who scavenged Shakespeare’s unspeakable
streets, they have drifted back
from the borderlands of extinction
on tense, splayed wings.

SCAVENGERS: a piercing gaze PICTURE: Sue Craigs Erwin

Given that they generally prefer scavenging for carrion, including roadkill, rather than hunting, the persecution seems even more misguided and unnecessary, but many are grateful that they are back in our skies again, soaring and serene, and in such numbers.

THURSDAY, NOVEMBER 14

NOWHERE does the past feel more vividly present in our daily lives than on the banks of the Thames.

The pattern of the river we know today would have been familiar to settlers thousands of years ago, and generations of invaders and settlers built their castles, forts and palaces along its banks.

MISTY START: Cock Marsh on the Thames PICTURE: Phil Laybourne

Phil Laybourne’s glorious portrait of Cock Marsh by Cookham lies far from the Roman city of Londinium, but this National Trust-owned land is a perfect place for a circular wander through a picturesque and unspoilt landscape of meadows and grassland slopes with panoramic views over the valley.

Here, shrouded in early morning mist, it’s easy to recall how the terraces above the Thames were colonised by nomadic hunter-gatherers of the Old Stone Age tens of thousands of years ago.

Habitation here has continued ever since, evident from Bronze Age tumuli and huge amounts of Roman pottery removed from the foot of Winter Hill in 1906, which is thought to have once been the site of a ferry across the river.

FRIDAY, NOVEMBER 15

IT MAY lack the scale and sheer spectacle of New England in the Fall, but autumn in the Chilterns lacks none of the vibrancy or splendour of displays “across the pond”.

Here, in countless woodland settings from Burnham Beeches to Penn and on towards the Vale of Oxford and the Cotswolds, or sleepy villages in Hertfordshire and Bedforshire, the annual display brings an extraordinary range of colours to the landscape.

VIBRANT: a canopy of colour PICTURE: Gel Murphy

In America, the leaf fall attracts travellers from across the world to the pretty villages and rugged landscapes of Vermont, New Hampshire, Maine and parts of Massachusetts.

There, they call it “leaf peeping”, when the crowds descend to view and photograph the dramatic colour changes in the autumn foliage, or set off on hiking trips to capture the colours at close hand.

VIBRANT: a canopy of colour PICTURE: Gel Murphy

In Japan, there’s a similar tradition called momijigari of going to visit scenic areas where the maple leaves have turned red in autumn.

We may not have a specific word for such outings in the Chilterns, but perhaps there should be.

LEAF PEEPING: autumn foliage at Burnham Beeches PICTURE: Andrew Knight

We are blessed to live in an area of outstanding natural beauty which pretty much epitomises quintessential English countryside, the weathered brick and flint of ancient cottages, pubs and farmhouses providing a perfect backdrop for an autumn walk.

But then again, perhaps it’s just as well the crowds haven’t cottoned on to the seasonal beauty of the Chilterns.

OUT AND ABOUT: an autumn walk PICTURE: Sue Craigs Erwin

In the States, fuelled by Instagram and social media influencers, some areas are inundated with bumper-to-bumper traffic, with hiking routes becoming dangerously overcrowded and locals complaining of inconsiderate tourists littering beauty spots and overunning small communities.

Whisper it quietly, then. When the skies clear, get out and savour the woodsmoke and simple pleasures of dogs and children rustling their way through the fallen leaves. We don’t need crowds to remind us just how beautiful our local landscape is.

SATURDAY, NOVEMBER 16

EVEN deep in the dark woods, the bare branches and piles of leaves are bathed in silver.

Overhead, the skies are clear, the air is cold and the final supermoon of the year is casting its glow into the furthest recesses of our footpath through the trees.

SUPERMOON: November’s Beaver Moon PICTURE: Carol Ann Finch

Our breath hangs warm in the chill evening air and the full Beaver Moon is now high in the sky, the last of four consecutive supermoons to brighten our night skies since August.

Teddy the labrador nuzzles among the leaf litter unaware. A startled muntjac thumps off through the bushes, unimpressed by our intrusion.

DISTANT MEMORY: golden afternoon hues PICTURE: Gel Murphy

The gleam seems surreal, the gold and russet hues of the afternoon a distant memory now that the moon “walks the night in her silver shoon”. This is the world of which Walter de la Mare wrote:

A harvest mouse goes scampering by,
With silver claws and a silver eye;
And moveless fish in the water gleam,
By silver reeds in a silver stream.

It’s called the Beaver Moon, probably because beavers are particularly active at this time of year as they prepare for the winter months ahead before sheltering in their lodges, or because this is when Native American fur trappers would set beaver traps before the swamps froze to ensure a supply of warm winter furs.

Supermoons occur when the moon is at its closest point to the Earth, when it appears bigger and brighter than usual, providing a treat for stargazers and photographers alike.

The next supermoon does not occur until October next year, so it could be worth catching it over the next night or two while we can.

SUNDAY, NOVEMBER 17

THOUGHT the fungi season was over? Think again.

They may be lurking under leaf litter and hidden from view, but those metabolic marvels are definitely out there, using cocktails of potent enzymes and acids to break down some of the most stubborn substances on the planet.

METABOLIC MARVELS: mushrooms in the woods PICTURE: Graham Parkinson

They come in all shapes and sizes and a startling of array of colours and textures, but it’s only in recent years that we’ve begun to realise quite how remarkable these extraordinary life forms are.

Merlin Sheldrake helped to open our eyes to that world in his book Entangled Life, introducing us to a hugely diverse kingdom of organisms that support and sustain nearly all living systems.

DIVERSE KINGDOM: fungi sustain life PICTURE: Graham Parkinson

When we think of fungi, we probably think of mushrooms. But mushrooms are only the fruiting bodies of fungi, where spores are produced and dispersed.

Fungi are everywhere around us, but largely hidden from view, undocumented and poorly understood despite, as Sheldrake argues, providing a key to understanding the planet on which we live.

POORLY UNDERSTOOD: woodland wonders PICTURE: Graham Parkinson

Perhaps it’s time to give those intriguing life forms a second glance, then. They may not look much lurking among the leaf litter, but they have a genuinely intriguing story to tell about life on earth.

MONDAY, NOVEMBER 18

ANOTHER day, another wet wander in the woods, another stunning range of fungi to delight the senses.

This time it’s the wood-rotting turkeytail, a bracket fungus which comes in a glorious array of colours and takes its name from its similarity to turkeys’ fan-like tail feathers.

COLOURFUL ARRAY: turkeytail fungus PICTURE: Graham Parkinson

Watching the dogs snuffling among the fallen leaves may make us wonder what wonderful scents they are discovering.

But then our own powers of smell are quite extraordinary too, even though we tend to take it for granted that we can tell the difference between, say, mustard and coal, or different fruits, herbs and flowers.

DELICATE: fungi lurk among the leaves PICTURE: Graham Parkinson

It’s said we have the capacity to detect a trillion different odours and can split complex mixtures into their constituent chemicals. But animals, plants and fungi do the same, changing their behaviour in response to the scent signals around them.

Truffle fungi use chemicals to communicate to animals their readiness to be eaten, for example, and the huge sums paid by top chefs for ripe truffles ensure that truffle hunting is a business steeped in dark tales of skulduggery.

So valuable are those white truffles of Piedmont or Perigord black truffles that all kinds of crimes have been committed by unscrupulous souls eager to cash in.

TUESDAY, NOVEMBER 19

THERE are flakes of snow falling and the temperature has plummeted, but there’s a final chance to reflect on the magical properties of those extraordinary organisms under our feet.

MAGICAL PROPERTIES: the humble mushroom PICTURE: Graham Parkinson

The rich autumn colours are still vibrant in the Chilterns, but cold air from the north is sweeping across the country and schools across Scotland, Wales and the north are closing in preparation for the anticiated snowfall.

There’s just time to savour some of those remarkable fungi before they disappear beneath the falling leaves, not to mention any potential snow and slush.

GOING FOR GOLD: autumn leaves PICTURE: Sue Craigs Erwin

It’s at this time of year that Merlin Sheldrake takes us to the hills around Bologna at the height of the truffle season to find out at first hand about the secret world of those spore-producing organs.

Closer to home, we meet a dog walker deep in the woods using a ball coated in truffle oil to practise scent work with his faithful companion. Truffle hunting may be big business in France and Italy, but across the UK there are training workshops and experience days for those wanting to discover more about the subtle art.

TREES ON FIRE: a vibrant display PICTURE: Sue Craigs Erwin

For Sheldrake, part of the fascination of mycorrhizal fungi like truffles is not just the symbiotic relationship between fungus and plant roots, but the way this involves understanding the importance of subtle variations in soil, season and climate: a intellectually stimulating mix of disciplines from agriculture and forestry to microbiology, ecology and climate change.

WEDNESDAY, NOVEMBER 20

THE frost is penetrating and we walk under a canopy of branches where yellow leaves fall like rain.

A pair of blackbirds, brazen as ever, rootle among the crispy leaf litter oblivious to the proximity of our huge, curious black labrador.

SANTA’S HELPER: the humble robin PICTURE: Lesley Tilson

Back at the kitchen door, a robin cocks his head expectantly. Folklorists recall a variety of superstitions surrounding Britain’s favourite garden bird, used by generations of parents as a warning to children that “Santa’s robin” was keeping a watchful eye over their behaviour in the run-up to Christmas, reporting regularly back to the North Pole.

Tame and friendly, the birds have had a place in our hearts for centuries, prompting one aggrieved magazine writer in the early 18th century to ask why people had “so good an esteem of this bird” given that the robin was “as malicious and envious a bird as any that flies”.

UNIMPRESSED: a red kite in the snow PICTURE: Sue Craigs Erwin

Yet the common belief was that of all wild birds, the robin was not to be harmed. As A E Bray put it in 1838: “Very few children in this town would hurt the redbreast, as it is considered unlucky to do so; this bird being entitled to kindness… above every other.”

THURSDAY, NOVEMBER 21

IF plummeting temperatures bring an icy chill to the Chilterns countryside, the cold also lures wildlife into closer contact with their human neighbours.

CHILL WIND: the first snowfall of winter PICTURE: Sue Craigs Erwin

Clear skies bring out the sun, offering photographers the prospect of capturing better portraits of more elusive garden visitors like nervous muntjac or a hungry red-legged partridge.

GARDEN GUEST: the red-legged partridge PICTURE: Graham Parkinson

Pictured against ice-covered fields or snuffling through the fallen foliage, this is the time to catch a glimpse of an elusive fox or badger hunting for food, an owl swooping low at dusk or hungry birds silhouetted against bare branches.

WINTER COAT: a fox on the prowl PICTURE: Sue Craigs Erwin

FRIDAY, NOVEMBER 22

A GLORIOUSLY clear night sky may have been a delight for stargazers, but bone-chilling temperatures meant many ramblers were content to gather round the fire rather than venture out into the frosty fields to survey the heavens.

ICY START: slippery footpaths PICTURE: Lesley Tilson

The correspondingly icy start meant slippery footpaths and chilly looking wildlife until the weak afternoon sun brought a little warmth and light back into the landscape.

COLD COMFORT: horses enjoy a nuzzle PICTURE: Lesley Tilson

The autumn colours are still evident, but the frosts have taken their toll on the trees and much of the colour is now on the ground, in great drifts of crisp leaves. And with storms forecast, we have perhaps now passed the peak days for “leaf peeping”.

BROWN CARPET: fallen leaves in the woods PICTURE: Lesley Tilson

As dusk falls amid the trunks of a soaring conifer plantation we hear the reassuringly rasping “koch koch” calls of a dozen pheasants taking refuge among the trees.

Our evening stroll is punctuated by their brief moments of panic: one male rushes out of the undergrowth in his chestnut tweed suit, white silk scarf and big red cheeks, jinking and twisting down the path like a ridiculously overdressed sprinter trying to avoid a hail of gunfire.

LIGHT FROSTING: a frozen track PICTURE: Lesley Tilson

In the trees above, the mumbling and grumbling continues, punctuated by an occasional unearthly crow of alarm and drumming of wings as another victim is flushed and neighbours echo the call of alarm.

We leave them to their peace, roosting in the chilly branches as night falls fast, draining all remaining colour from the woods.

SATURDAY, NOVEMBER 21

AT DAWN, there are only the most modest signs that Storm Bert is on the way: grey clouds scudding across the sky and some ominous waving of upper branches.

The temperature is milder than it’s been of late, in the Chilterns at least. But from the north come warnings of heavy snow, strong winds and blizzards, with the prospect of flooding and widespread travel disruption.

CALM BEFORE THE STORM: high winds are forecast PICTURE: Lesley Tilson

By mid-afternoon the deluge is well and truly under way and the winds are getting up, with country parks and Burnham Beeches closed because of the dangers of falling branches. It won’t be a great day for pictures, but luckily we have yesterday’s to remind us of just how cold we’ve been. . .

WARMING UP: temperatures are rising PICTURE: Lesley Tilson

SUNDAY, NOVEMBER 24

STORM Bert is still rustling its way through the Chilterns woodlands, but while this windy weekend is stripping much of the natural colour from our trees, there are villages and towns across the region lighting up with Christmas trees and seasonal decorations.

CHRISTMAS SPIRIT: Wooburn Green PICTURE: Phil Laybourne

Traditionalists may despair that the switching on of Christmas lights marks the start of a secular spending spree in the run-up to the holiday period, but for Christians Advent, which begins next Sunday, is the start of the liturgical year, a four-week-long period of reflection on the coming of Christ into the world at his birth.

Advent candles symbolise the four themes of hope, peace, love and joy associated with the arrival of Jesus and mark a time of shared meditation and prayer in Protestant, Roman Catholic, Orthodox and other Christian traditions.

TIME OF PRAYER: All Saints, Marlow PICTURE: Phil Laybourne

MONDAY, NOVEMBER 25

AFTER the ravages of Storm Bert, what a delight to see the sun again and realise that the golden glow of autumn is not a distant memory quite yet.

GOLDEN GLOW: the leaves remain PICTURE: Sue Craigs Erwin

The leaves of many trees may have been stripped bare, but others have withstood the winds and some species retain their leaves longer than others.

The result is still a wonderful spectrum of colour on a clear day, the russets and golds standing out against the evergreens.

SPECTRUM: after the storm PICTURE: Gel Murphy

All trees rely on leaves to capture carbon in the form of carbon dioxide from the atmosphere through photosynthesis and scientists are still finding out just why trees have evolved leaves of so many different shapes and structures.

TUESDAY, NOVEMBER 26

WHY do conifers have thick needle-shape leaves whereas deciduous trees like maples have thin, flat leaves? Why are some leaves thicker than others?

CLEAR SKIES: colour contrasts outside Amersham PICTURE: Sue Craigs Erwin

We don’t know all the answers but it’s partly about capturing carbon as efficiently as possible according to local conditions.

In recent decades, scientists have discovered that leaf longevity is the cornerstone of two distinct strategies for trees: slow return on investment versus fast return.

CARBON CAPTURE: harnessing energy PICTURE: Gel Murphy

In harsher environments, where nutrients are scarce and the growing season is short, those thin evergreen needles acquire carbon over the long term and improve nutrient conservation, whereas short-lived leaves favour rapid carbon acquisition

Where resources like sunlight, water, and nutrients are plentiful, deciduous species generally thrive and outcompete evergreens, growing quickly and shedding their leaves once the growing season ends.

WEDNESDAY, NOVEMBER 27

CHALK streams are fascinating. A distinctive feature of the Chilterns landscape, they are important habitats for wildlife and support a massive range of species, including some of our most threatened plants and animals such as water vole and brown trout.

IMPORTANT HABITAT: the Misbourne PICTURE: Gel Murphy

Of all the world’s chalk streams, 85% are in Southern and Eastern England, making them one of the world’s rarest habitats, the most diverse of all English rivers and home to a profusion of invertebrates, fish, birds and mammals.

Despite being such rare ecosystems of global significance and having an intriguing history, supporting many thriving industries in the past, they are also under threat from a variety of dangers, from over-extraction to pollution, population growth, the HS2 project and invasive species.

WILD ON THE WATER: birds on the Misbourne PICTURE: Gel Murphy

Of the 283 English chalk streams, nine are in the Chilterns, among them the Wye, Chess and Misbourne, flowing south-eastwards down the chalk escarpment towards the River Colne and the Thames.

From ancient times, permanent settlements began to emerge clustered around the chalk streams and industries of all types have thrived over the millennia along the banks, from watercress beds to dozens of mills turning grain into flour and rags into paper.

RIVERBANK LIFE: a thrush looks for food PICTURE: Sue Craigs Erwin

Waterside locations have also been used for spiritual and religious activity since prehistoric times, from the Bronze Age burnt mounds on the Chess to Roman shrines and temples on the Ver and Hamble Brook.

THURSDAY, NOVEMBER 28

FROM wind and rain to chilly nights and frosty mornings, November can be a fickle month. But when the sun finally breaks through the clouds or dawn breaks on a clear day, there’s nothing more uplifting.

ORANGE HUE: a misty sunrise PICTURE: Sue Craigs Erwin

Sunlight shapes how we feel about the world, and it bathes our landscape in a range of glorious colours, from the lilacs and oranges of a misty morning ramble to the rosy glow of a mid-afternoon outing.

ROSY GLOW: a goldfinch poses for the camera PICTURE: Sue Craigs Erwin

And if it’s great for our health and wellbeing, even during winter, it’s good for our photography too, giving depth and contrast to our portraits of local wildlife.

DIFFERENT LIGHT: sunlight gives portraits depth PICTURE: Sue Craigs Erwin

Access to natural light during the day helps to improve our sleep, productivity and mood, but it seems we are spending longer and longer indoors: up to 90% of our days, according to one recent study. And as jobs become more automated and computer-focused, we are becoming even more severed from our natural environments.

How energising then to be out on the banks of a chalk stream on a frosty morning watching the mist rise on the water, escaping our screens and embracing the light.

FRIDAY, NOVEMBER 29

THERE’S nothing to beat a glorious sunrise when it comes to boosting our spirits.

It may be bitterly cold outside, but when dawn banishes the dark, it brings a promise of hope and anticipation, of new beginnings and fresh adventures.

UP WITH THE LARK: a spectacular start PICTURE: Sue Craigs Erwin

Back in Homer’s day, dawn was personified by the rosy-fingered goddess Eos (Aurora in Latin), rising from her marriage bed to bring light to us mortals.

But whether this is a moment for quiet reflection, joyful thanksgiving or thoughtful preparation for the day to come, lacing up our boots for that dawn outing can be good for the soul, as well as our health.

VAPOUR TRAILS: the skies over Amersham PICTURE: Sue Craigs Erwin

It’s a chance to soak up the sights and sounds of nature in a very intimate and personal way, while our neighbours are still asleep and the countryside has not yet woken to the busy thrum of morning traffic or the pressures and time constraints of the school run.

EARLY SWIM: Rickmansworth Aquadrome PICTURE: Lesley Tilson

Wrapped up warm against the frost, walking in nature clears the mind of busy thoughts, each step part of a gentle rhythm keeping us in touch with the earth and alert to the sounds and movements of the wildlife braving the elements alongside us.

SATURDAY, NOVEMBER 30

LIGHT cheers us up in times of darkness. It reminds us that winter won’t last forever, and the sun will someday return.

Across ancient Europe, pagan peoples like the Anglo-Saxons celebrated the solar solstices and equinoxes, while the Celtic peoples marked the four midpoints between them.

CHEERING SIGHT: Christmas lights PICTURE: Phil Laybourne

Around the world, all the great winter holiday celebrations focus around light, and from the 1800s Christmas lights were added to the mix of candles, lamps, fireworks and roaring yule logs, reminding us of the divine connotations of the holiday season.

For early civilisations, the celebrations paid homage to the “invincible sun” that plays such a central role in our daily lives.

Hanukkah is also known as the festival of lamps and recalls how, following the reclaiming of the Temple of Jerusalem, a tiny cask of oil was made to last eight days — a token that God was still present with His people.

The Hindu festival of light, Diwali, is a time of music, feasting, family time and new beginnings while across the Pond, the seven candles in the kinara represent the seven principles of Kwanzaa, the holiday celebrated by African Americans, and people of the African diaspora, since 1966.

INVINCIBLE SUN: another sunrise PICTURE: Sue Craigs Erwin

For Christians, the Star of Bethlehem may have inspired the custom of placing lights in Christmas trees, while Advent Sunday marks the start of the liturgical year, with advent candles symbolising the four themes of hope, peace, love and joy associated with the arrival of Jesus.

At a time of war and suffering, light represents the presence of divinity or enlightenment, a reminder of the first Biblical miracle recounted in Genesis, Chapter 1, Verse 3: “And there was light.”

We’re enormously grateful, as always, to the talented photographers who have allowed us to publish their pictures this month. If you would like to contribute any pictures, favourite moments or seasonal suggestions to our future calendar entries, join our Facebook group page or write to editor@thebeyonder.co.uk.

Nature finds a way to put a spring in our step

FEW Chilterns characters are quite as gloriously colourful as the male mandarin duck.

And although these stunning wildfowl originally hail from the Far East, nowadays they are a common sight on lakes and wetlands across the south-east of England.

MAKING A SPLASH: a mandarin duck PICTURE: Graham Parkinson

The unmistakable plumage features bright orange cheek plumes and ‘sails’ on their back, though females are much less ostentatious, with grey heads, brown backs and a white eyestripe.

Normally shy, the ducks breed in wooded areas near shallow lakes and marshes, often in tree cavities, with Springwatch managing to catch the cute fledging process back in 2018, as a succession of tiny fluffballs leaped to the ground.

BREEDING SEASON: grey herons are building nests PICTURE: Graham Parkinson

Equally dramatic in a more prehistoric-looking way are the silhouettes of grey herons taking a break from their solitary fishing expeditions to set about the business of building their nests.

This is the time of year the distinctive birds come together to breed, often in busy heronries where they have returned for many generations.

ICONIC: the red kite PICTURE: Sue Craigs Erwin

Other bright spots amid the February mud and mire include the glimpse of a graceful red kite soaring on the thermals: the birds were rescued from extinction to become virtually synonymous with the Chiltern Hills in recent decades.

More humble but equally popular feathered friends at local bird tables include the cheeky robins that follow gardeners around as they dig the ground, sometimes becoming tame enough to be fed by hand.

GARDEN FRIEND: the cheeky robin PICTURE: Lesley Tilson

Fluffy long-tailed tits are another endearing visitor, sociable and noisy in their small excitable flocks as they rove the woods and hedgerows building domed nests out of moss in bushes and tree forks.

These are majestic little homes, camouflaged with cobwebs and lichen, and lined with as many as 1,500 feathers to make them soft for the eight to twelve eggs the birds will lay.

ENDEARING: the long-tailed tit PICTURE: Graham Parkinson

But for an unparalleled avian spectacle, the photographers were out in their droves in 2024 to capture an extraordinary starling murmurations at Tring reservoir and watch thousands of birds swoop and glide in stunning patterns over their communal roosting sites as the last of the daylight fades.

Lesley Tilson was well placed to capture the drama of the aerial displays before that final moment when an unspoken signal seems to tell the group to funnel towards the ground with one last whoosh of wings.

DAZZLING DISPLAY: starlings swoop over Tring PICTURE: Lesley Tilson

Early February is the peak season for badger cubs to be born, but if we can’t look inside their very private underground homes, we can spot other mammals up and about, especially at dawn and dusk.

Early risers might be rewarded by deer moving shyly around or later in the day catch them lying in a sheltered spot resting, ruminating and dozing.

COLD START: deer in Windsor PICTURE: Lesley Tilson

At the other end of the day it’s the time of year when toads start plodding back to their breeding ponds and sometimes need the help of human volunteers to help them cross busy roads.

Floods, snow and sub-zero temperatures can make February a month of contrasts in the Chilterns, but a welcome flurry of warmer days may help to herald the first true signs of spring.

HAZY DAYS: the view from West Wycombe Hill PICTURE: Siddharth Upadhya

For those with better lenses it’s also a time to capture the insect world in close up: a female bumblebee, perhaps, venturing out of hibernation to refuel on early blooming plants before looking for a suitable place to lay their eggs. 

Despite the flooded fields and footpaths, there’s plenty to see for those with an eye for detail, from the squiggly trails left by caterpillars to poisonous fungi helping to break down dead wood or hazel trees opening their optimistic catkins to release their pollen.

WATERLOGGED: fields near Coombe Hill PICTURE: Lesley Tilson

But with tree branches bare and vegetation withered, it’s a good time of year to pick out birds as the dawn chorus begins to pick up volume, and as the first flowers start to poke through the soil crust, ramblers are on the lookout for snowdrop displays, crocuses and early daffodils.

SKY HIGH: stunning cloud patterns outside Amersham PICTURE: Lesley Tilson

On patches of heathland, the gorse has begun to provide a backdrop of yellow flowers but elsewhere colours are still muted, at least until the last few days of the month.

Nonetheless, it’s the shortest month, when hibernation is coming to an end and spring is slowly starting to assert itself, so those early optimistic signs are important.

SPLASH OF COLOUR: gorse in bloom PICTURE: Lesley Tilson

Many need little encouragement to head off to the woods to revive body and soul, whatever the weather. But it’s perhaps understandable that teenagers might find the prospect of wandering around in a rain-soaked wood less than appealing.

Chris Packham bemoans the growing prevalence of “nature deficit disorder”, not an official mental health condition but an increasingly recognised reason for the disconnection from nature that both children and adults feel.

ON THE LOOKOUT: a kestrel hunts for food PICTURE: Graham Parkinson

The phenomenon was first identifed back in 2005 by child advocacy expert Richard Louv and linked to some of the most disturbing childhood trends, such as the rises in obesity, attention disorders, stress, anxiety and depression.

Louv argued that direct exposure to nature is essential for healthy childhood development and for our physical and emotional health.

HEALTHY OUTLOOK: the great outdoors PICTURE: Sue Craigs Erwin

Packham laments parents keeping youngsters indoors to protect them from danger and perhaps in the process perhaps exposing them to far more horrors in the online world that has nowadays become a replacement for outdoors adventures.

Back in 2018 it was already clear that British youngsters were spending twice as long looking at screens as playing outside, and for inner-city kids the opportunities to engage with the natural world may be minimal.

LAST LIGHT: a Chilterns sunset PICTURE: Sue Craigs Erwin

Louv’s book sparked an international movement to connect children and families to the natural world, as well as a growing recognition of the problem among the medical community.

Thankfully our photographers need no persuading to get out and about in all weathers, and we’d love to hear from any other nature lovers wanting to make the most of the Chilterns countryside, rain-soaked or otherwise.

If you would like to contribute any pictures, favourite moments or seasonal suggestions to future calendar entries, join our Facebook group page or write to editor@thebeyonder.co.uk.

New year gleams with a frosty sparkle

CRISP mornings and plummeting temperatures replace the dreary days of December as the New Year casts a welcome sparkle over the timeless Chilterns landscape.

DAWN SPARKLE: mist on the fields PICTURE: Lesley Tilson

The branches may be bare and the fields covered in frost, but the first spring-flowering bulbs are beginning to poke through the leaf litter: snowdrops and winter aconites providing a welcome source of nectar for hungry bees at a time of year where other food may be hard to find.

WATERLOGGED: it’s wet in the woods PICTURE: Gel Murphy

As soon as the land heats up some paths are still waterlogged and our main roads are depressingly lined with litter, but as soon as you leave the main thoroughfares behind, the ramblers and dog walkers leave much less of an imprint on the surroundings.

OPEN COUNTRY: leaving the litter behind PICTURE: Sue Craigs Erwin

Here the birds are much more visible against the bare branches as they hunt out berries and there will be carpets of yellow and white flowers among the trees before too long.

BREAKFAST BERRIES: a robin finds a feast PICTURE: Lesley Tilson

From frosty dawn forays to chilly, starlit evening strolls, this is a time of year when the countryside may look asleep but small signs of life are everywhere now that the daylight hours are increasing.

DAWN LIGHT: a morning encounter PICTURE: Sue Craigs Erwin

You can hear the first signs of a dawn chorus, as our feathered friends start to prepare for the breeding season after the long hard winter and begin to realise there’s more to life than bickering over the scraps on the bird table.  

TASTY TREAT: a blue tit finds some nuts PICTURE: Lesley Tilson

The volume will grow day by day during the month as the sparrows, robins, dunnocks and tits all start to get in on the act, switching from clicking call notes to more coherent song, full of thoughtful phrases issued from the highest perches.

BATH TIME: a wren takes a dip PICTURE: Nick Bell

It’s still a delicate balance, though. The nights are still interminably long for small birds fighting to find enough food during the short chilly days to avoid starving during the hours of darkness.

BALANCING ACT: a marsh tit gets peckish PICTURE: Graham Parkinson

2024 proved to be a waxwing winter, with the berry-loving birds flocking to the UK in large numbers and brightening up our town centres with their swooping crests, distinctive black “eyeliner” and orange, grey and lemon-yellow tails.

WAXWING WINTER: a colourful visitor PICTURE: Lesley Tilson

Another distinctive figure is the grey heron, the largest bird most of us will ever see in our garden with a wingspan of around 6ft, and also one of the earliest nesters.

EARLY NESTER: the grey heron PICTURE: Lesley Tilson

It’s not unusual to see herons picking up sticks and twigs towards the end of January, and some birds lay their first eggs in early February, though the normal start is early March.

ON SONG: a robin pointing the way PICTURE: Sue Craigs Erwin

Watching these dinosaur-like birds patrolling our river banks in search of a fishy snack, it’s hard to believe that roast herons were popular at medieval banquets. But they seem to be thriving these days, and they’re sociable birds, invariably nesting in long-established heronries which can include dozens or even hundreds of nests.

MAKING A SPLASH: a chilly swan PICTURE: Lesley Tilson

Early morning forays to local woods and beauty spots provide a vivid reminder of just how much wildlife is around us, even if many animals are still sheltering from the wintry blast or are quick to disappear at the sound of an approaching footstep.

FISHING TRIP: a heron on the lookout for breakfast PICTURE: Graham Parkinson

Mammals are on the move this month too: as well as secretive deer and badgers, the fox breeding season peaks after Christmas and January is a peak month for foxes fighting and being run over as they trespass on each other’s territories and range further afield in search of mates.

WHO GOES THERE?: a curious muntjac PICTURE: Sue Craigs Erwin

From the sounds of barking deer and fox mating calls in those first daylight hours to the thrum of a woodpecker or whistle of a red kite, there are plenty of audible clues to the wealth of wildlife around us, even if it sometimes requires a sharp eye, zoom lens and early morning start to spot that heron, egret or well camouflaged owl.

WELL HIDDEN: an owl at Cassiobury Park PICTURE: Carol Ann Finch

If the ancient wings of the heron make the bird look positively Jurassic, the owl has long been a symbol of wisdom in literature and mythology. Their hunting prowess and night vision, in particular, impressed the Ancient Greeks, who believed that this vision was a result of a mystical inner light and associated the owl with the Goddess of Wisdom, Athena.

SILENT HUNTER: a barn owl hunting PICTURE: Graham Parkinson

The late American poet Mary Jane Oliver expressed it in a rather different way in her poem Little Owl Who Lives in the Orchard:

His beak could open a bottle,
and his eyes – when he lifts their soft lids –
go on reading something
just beyond your shoulder –
Blake, maybe,
or the Book of Revelation.

The ubiquitous grey squirrels are also very lively just now. Cheeky and incorrigible, as they enter the breeding season they can be seen chasing each other madly through the treetops in a frantic courtship dance.

CHEEKY: the acrobatic grey squirrel PICTURE: Nick Bell

The invasive greys may have many detractors but there’s no doubting just how clever, ingenious and adaptable they are, as we recalled in an article marking Squirrel Appreciation Day.

ADAPTABLE: the ubiquitous grey squirrel PICTURE: Sue Craigs Erwin

Smaller mammals like voles and mice may not be quite so outgoing, but rustles in the leaf litter might give away their presence as they trundle around on their daily chores, or you might stumble across one of the network of trails leading to their underground homes.

SHY RUSTLE: a bank vole at Warburg PICTURE: Graham Parkinson

Even if the birds are wildlife are too quick on the move to pose for your camera, there are plenty of lichens and mosses to provide glorious patterns on trees and walls alike, as well as perfect nesting materials for birds and food and shelter for invertebrates.

Fungi provide welcome splashes of colour too, and an array of intriguing patterns and shapes amid the soggy leaf litter.

FILLING THE GAP: bracket fungus on a tree bark PICTURE: Carol Ann Finch

The skeletal vegetation allows new vistas to open up too, however, exposing the earthworks, trails, mileposts and ditches so often hidden amid the undergrowth.

WELL TROD PATH: a mossy holloway PICTURE: Sue Craigs Erwin

While most plants tend to fruit or flower later in the year, you might spot the vivid yellow of mahonia or winter-flowering heather, the first hazel catkins starting to appear along hedgerows and the splashes of colour from the winter berries or vibrant red and yellow dogwood stems.

FEATHERED FRIEND: a tiny silhouette PICTURE: Sue Craigs Erwin

And if the landscape often lacks colour at this time of year, glorious sunsets and cloudless nights can often compensate.

COLOUR CONTRASTS: January’s wolf moon PICTURE: Carol Ann Finch

Clear January skies offer stargazers and nature photographers some great opportunities to turn their cameras skywards, as we examined in our full moon feature.

WOLF MOON RISING: January’s full moon PICTURE: Anne Rixon

Anne Rixon‘s stunning shot of this month’s Wolf Moon perfectly captured the timeless wonder of that striking vision when the moon shows its “face” to the earth.

Wolf moons and snow moons, blood moons and strawberry moons, harvest moons and worm moons…long before calendars were invented, ancient societies kept track of the months and seasons by studying the moon.

SLICE OF LIGHT: the moon’s surface PICTURE: Sue Craigs Erwin

Their shots reflect some of the amazing colour contrasts to be seen at this time of year, especially on dawn and dusk walks.

SKY’S THE LIMIT: sunset near Amersham PICTURE: Sue Craigs Erwin

It’s a wonderful antidote to the relative bareness of the countryside, and a reminder of just how spectacular the Chilterns can be throughout the changing seasons.

SEA OF MIST: dramatic colours at Coombe Hill PICTURE: Lesley Tilson

As always we’re greatly indebted to our wonderful team of photographers who have been out and about in all weathers trying to capture the perfect shot, and we’re always keen to hear from other contributors who may be out and about across our circulation area, from Berkshire to the Dunstable Downs, from the outskirts of London to the wilds of Oxfordshire.

LOCAL LANDMARK: Brill windmill PICTURE: Lesley Tilson

If you would like to contribute any pictures, favourite moments or seasonal suggestions to our future calendar entries, join our Facebook group page or write to editor@thebeyonder.co.uk.

Picture of the week: 29/01/24

OUR picture highlight this week takes us to the night skies and a couple of spectacular shots of January’s Wolf Moon taken by two of our regular contributors.

Clear January skies offer stargazers and nature photographers some great opportunities to turn their cameras skywards, and their shots reflect some of the amazing colour contrasts to be seen at this time of year.

Anne Rixon‘s stunning shot of the Wolf Moon rising perfectly captures the timeless appeal of that striking vision when the moon shows its “face” to the earth.

TIMELESS APPEAL: January’s Wolf Moon PICTURE: Anne Rixon

It also provides a flashback to the same time last year where another of her photographs summed up why the full moon was so significant in past centuries to different civilisations around the world.

Wolf moons and snow moons, blood moons and strawberry moons, harvest moons and worm moons…long before calendars were invented, ancient societies kept track of the months and seasons by studying the moon.

For millennia, mankind has been fascinated by the night sky, all the more vividly lit up in those times before stargazers had to contend with light pollution from cities and the movements of aircraft and satellites.

BLUE MOON: peeping through the clouds PICTURE: Carol Ann Finch

But even contending with those modern challenges didn’t stop Carol Ann Finch producing another brilliant shot of the Wolf Moon emerging from the clouds.

The full moon happens about once every 27 days when the moon and the sun are on exactly opposite sides of Earth. The moon looks illuminated because we see the sun’s light reflected from it.

The Old Farmer’s Almanac explains variations in the names, comparing those of Native American tribes with names imported by colonial settlers.

The term ‘wolf moon’ is thought to have been coined by Native Americans because of how wolves would howl outside villages during the winter. Different tribes may have had other names for it around the world – spirit moon, goose moon or even bear-hunting moon, for example.

These days, such near-monthly events are popular with photographers around the world hoping for clear skies so that they can stake out some of the most iconic backdrops, from mountains and coastlines to landmarks like Stonehenge and Glastonbury Tor.

Lass keeps landscape in perfect focus

FEW people know the quiet lanes, secret footpaths and pretty villages of the Peak District quite as well as Suzanne, the photographer best known asPeaklassto her army of followers on social media.

The writer and wanderer loves nothing more than escaping into the hills and dales that surround her home base in Hathersage.

And our picture choice to kick off the New Year shows a quartet of her stunning images showing the changing seasons across that glorious landscape.

An avid runner, walker and explorer, she’s never happier than when she’s outdoors and she’s passionate about every aspect of the Peak District National Park – its wildlife and communities, as well as the scenery.

MISTY MORNING: The Promise PICTURE: Peaklass

Undeterred by bad weather she’s out and about in all seasons, eager to communicate her joy in the beauty of the place and its hidden treasures through daily pictures and musings.

Much of her content features on the Let’s Go Peak District independent visitor website where she and a team of other photographers and local experts showcase the beauty of the Peak District National Park to the world.

It also features in calendars, prints and cards that she sells through her own online shop.

But her social media feeds offer a more intimate, personal glimpse of the landscape she loves so much, with its weathered stone walls and inviting gates to mist-covered paths and frosty fields.

ANCIENT LANDSCAPE: Entice PICTURE: Peaklass

“The more I read the news, the more I retreat to the woods,” she says. “Nature is undemanding, quietly performing complex, beautiful daily miracles, whether or not we notice.

“Out here with the trees, there’s an odd reassurance that comes from feeling how insignificant we are, how fleeting.”

From picturesque villages to tranquil valleys or deserted footpaths, Suzanne knows where to find the perfect shot to capture the essence of place, savouring the quiet of winter mornings, the delicate beauty of hoar frost or the silence among the trees when the only movement is that of the mist rising to meet the sunlight.

It’s not hard to see why she loves the national park either, with its ancient woodlands, curving valleys and windblown moors, along with those picture-postcard villages where the locals know everybody’s business and where stone cottages with smoking chimneys still line the twisting lanes just as they did 400 years ago.

WINTER TREES: The Silent Woods PICTURE: Peaklass

She’s written more than 70 Peak District walks, many bespoke routes for pubs, hotels or holiday accommodation providers, and is excited about the opportunity to inspire others to explore the local countryside, especially children.

She confesses to finding the dark of winter days very difficult, writing with delight of the winter solstice: “From tomorrow, the sunset ticks later minute by tiny minute and the light gradually returns, ready to coax awake the sleeping seeds and fill the forests with gold again.”

But equally, there’s little to beat the “feel-goodness” of a winter walk, she insists, “wrapped up warm, breath clouding, footsteps crunching, knowing there’s a hot chocolate waiting at the end”…

Winter may rage with wild winds and rattling branches, but its fading colours, rusting bracken and sullen skies have their own beauty, and Christmas lends a special magic to the picturesque villages of old stone cottages, the sparkling lights and decorated trees making homes look cosy and inviting.

Freshly fallen fluffy snow soaks up the sound waves from cars and people, softly blanketing the woodland floor and leaving only the bleating of sheep or the croak of jackdaws to disturb the peace.

AUTUMN PALETTE: Falling PICTURE: Peaklass

Autumn feels like a quiet season too, she reflects, compared with the riot of birdsong and bursting colours of spring and summer. “Autumn is slow, peaceful, as if Nature is gathering her thoughts, musing on the year and tucking in for the night,” she says.

Whether it’s the lamps coming on one by one across the valley or a little church sitting “like a boat adrift on a sea of mist” with the distant hills watching on, waiting for the village to wake, she brings a touch of poetry to the scene, as well as those startling images.

Lingering a while by the brook in Padley Gorge, where your breathing slows to match the soft push and pull of the water between rocks, or standing under giant beech trees as the soft early morning light turns gold, she is adept at capturing the subtle nuances of the landscape, and encouraging others to find room to escape the interruptions of the real world.

“When the world is too noisy and sad, it helps to walk into the kaleidoscope of an autumn country lane,” she reflects. “To hear nothing but your footsteps and the leaves falling, and to feel the solidity of old trees arching their boughs over you. I hope everyone can find their lane…”

Suzanne’s photographs can be found on her website and social media accounts, including Twitter and Instagram.

Picture of the week: 01/01/24

FEW people know the quiet lanes, secret footpaths and pretty villages of the Peak District quite as well as Suzanne, the photographer best known asPeaklassto her army of followers on social media.

The writer and wanderer loves nothing more than escaping into the hills and dales that surround her home base in Hathersage.

And our picture choice to kick off the New Year shows a quartet of her stunning images showing the changing seasons across that glorious landscape.

An avid runner, walker and explorer, she’s never happier than when she’s outdoors and she’s passionate about every aspect of the Peak District National Park – its wildlife and communities, as well as the scenery.

MISTY MORNING: The Promise PICTURE: Peaklass

Undeterred by bad weather she’s out and about in all seasons, eager to communicate her joy in the beauty of the place and its hidden treasures through daily pictures and musings.

Much of her content features on the Let’s Go Peak District independent visitor website where she and a team of other photographers and local experts showcase the beauty of the Peak District National Park to the world.

It also features in calendars, prints and cards that she sells through her own online shop.

But her social media feeds offer a more intimate, personal glimpse of the landscape she loves so much, with its weathered stone walls and inviting gates to mist-covered paths and frosty fields.

ANCIENT LANDSCAPE: Entice PICTURE: Peaklass

“The more I read the news, the more I retreat to the woods,” she says. “Nature is undemanding, quietly performing complex, beautiful daily miracles, whether or not we notice.

“Out here with the trees, there’s an odd reassurance that comes from feeling how insignificant we are, how fleeting.”

From picturesque villages to tranquil valleys or deserted footpaths, Suzanne knows where to find the perfect shot to capture the essence of place, savouring the quiet of winter mornings, the delicate beauty of hoar frost or the silence among the trees when the only movement is that of the mist rising to meet the sunlight.

It’s not hard to see why she loves the national park either, with its ancient woodlands, curving valleys and windblown moors, along with those picture-postcard villages where the locals know everybody’s business and where stone cottages with smoking chimneys still line the twisting lanes just as they did 400 years ago.

WINTER TREES: The Silent Woods PICTURE: Peaklass

She’s written more than 70 Peak District walks, many bespoke routes for pubs, hotels or holiday accommodation providers, and is excited about the opportunity to inspire others to explore the local countryside, especially children.

She confesses to finding the dark of winter days very difficult, writing with delight of the winter solstice: “From tomorrow, the sunset ticks later minute by tiny minute and the light gradually returns, ready to coax awake the sleeping seeds and fill the forests with gold again.”

But equally, there’s little to beat the “feel-goodness” of a winter walk, she insists, “wrapped up warm, breath clouding, footsteps crunching, knowing there’s a hot chocolate waiting at the end”…

Winter may rage with wild winds and rattling branches, but its fading colours, rusting bracken and sullen skies have their own beauty, and Christmas lends a special magic to the picturesque villages of old stone cottages, the sparkling lights and decorated trees making homes look cosy and inviting.

Freshly fallen fluffy snow soaks up the sound waves from cars and people, softly blanketing the woodland floor and leaving only the bleating of sheep or the croak of jackdaws to disturb the peace.

AUTUMN PALETTE: Falling PICTURE: Peaklass

Autumn feels like a quiet season too, she reflects, compared with the riot of birdsong and bursting colours of spring and summer. “Autumn is slow, peaceful, as if Nature is gathering her thoughts, musing on the year and tucking in for the night,” she says.

Whether it’s the lamps coming on one by one across the valley or a little church sitting “like a boat adrift on a sea of mist” with the distant hills watching on, waiting for the village to wake, she brings a touch of poetry to the scene, as well as those startling images.

Lingering a while by the brook in Padley Gorge, where your breathing slows to match the soft push and pull of the water between rocks, or standing under giant beech trees as the soft early morning light turns gold, she is adept at capturing the subtle nuances of the landscape, and encouraging others to find room to escape the interruptions of the real world.

“When the world is too noisy and sad, it helps to walk into the kaleidoscope of an autumn country lane,” she reflects. “To hear nothing but your footsteps and the leaves falling, and to feel the solidity of old trees arching their boughs over you. I hope everyone can find their lane…”

Suzanne’s photographs can be found on her website and social media accounts, including Twitter and Instagram.

Chris brings miniature landscapes to life

OVER the years, how many youngsters have dreamed of getting a train set for Christmas?

Across the generations, from the wooden, tin and clockwork models of the Victorian and Edwardian eras to the OO gauge electric models popularised in the 60s and 70s, countless children must have awoken to the excitement of a toy train on Christmas morning.

But although our picture choice this week shows a model railway, this is no ordinary train set.

WORK OF ART: recreating the past in miniature PICTURE: Chris Nevard

It’s more like a work of art, a carefully crafted diorama using scale models and landscaping to recreate an authentic glimpse of a bygone era – and it’s the work of professional modeller, photographer and blogger Chris Nevard from Guildford in Surrey.

What makes Chris’s models come to life is a combination of painstaking research, artistic flair and an expertise born of over 40 years’ experience of building prize-winning model railways.

BEHIND THE LENS: Chris Nevard

He creates scenes so lifelike that it’s often hard to be sure that they really are models.

From collieries and quaysides to branch lines and even a cement terminal, his creations are often surprisingly small and transportable for such convincing landscapes, springing up at exhibitions or commissioned by individual customers.

TRUE TO LIFE: a colliery scene PICTURE: Chris Nevard

As well as writing about model making and undertaking photographic commissions for the UK-based Model Rail magazine and several manufacturers, in recent years Chris has also built model railways on a commercial basis.

If that wasn’t enough to keep him busy, he also plays in a band, enjoys fine ale and actively pursues an interest in social and industrial history.

The fascination with railways began as a “spotty teenager” living in Sweden in the 1970s, he says, and a particular fascination with the Somerset & Dorset Railway was stoked by the pictures taken by the prolific railway photographer Ivo Peters during the postwar steam era.

LAYOUT COMMISSION: Neath Riverside PICTURE: Chris Nevard

Conjuring up the “perfect English railway” running through Chris’s favourite part of the country, the appeal was perhaps inevitable. even if he was too young to travel on the line.

But the influence of Ivo Peters is perhaps particularly significant. “Ivo lived in Bath and photographed the line and people extensively,” says Chris. “Through his eyes and lens he captured more than just images of trains and stations – he captured the soul behind the railway.”

That’s the same fascination Chris shares when he sees an inspiring picture in a book.

SENSE OF PLACE: atmosphere is crucial PICTURE: Chris Nevard

“I then want to read about the people and the location, trying to work out what it was really like to live and exist in the portrayed scene,” he says. “Understanding more than track geometry and what engines were used is vital if I’m going to have a successful stab at recreating something from the past in miniature which has atmosphere and a feeling of time and place.

“To achieve that I need to know about the personalities and the fabric that made or makes up the community.”

Intricate modelling and clever photography allows him to adapt scenes to the seasons, capturing the mood of a misty morning or chilly evening, but it’s not just the fascination with historical detail which marks out his layouts, but also his delight in the characters who inhabit them.

MISTY MOOD: morning in the colliery PICTURE: Chris Nevard

Regular tongue-in-cheek blog entries capture moments frozen in time from the miniature worlds he’s created, with a cast of tiny individuals living out their dramas in front of a growing audience of thousands on social media.

It’s all a far cry from that day in 1978 when he bought his first engine by mail order from Hattons of Liverpool, but then the modelling world has been transformed in that time too.

“Modellers more than ever before are realising that there is a lot more to realism than ‘correct’ flange-ways, bolts and exact scale gauge,” he says. “Influences from the USA and mainland Europe where model makers frequently embrace the overall scene equally is at last starting to have a real effect over here too.

FIERY SKIES: sunrise at Catcott Burdle PICTURE: Chris Nevard

“The internet and more recently social media have created a highly effective platform for people to share and exchange ideas. This ‘real time’ tool is really making modellers push the boundaries, which in turn is producing some really exciting new model railway projects and layouts!”

Chris can be contacted through his website, blog and social media feeds like Twitter and Instagram.

Picture of the week: 25/12/23

OVER the years, how many youngsters have dreamed of getting a train set for Christmas?

Across the generations, from the wooden, tin and clockwork models of the Victorian and Edwardian eras to the OO gauge electric models popularised in the 60s and 70s, countless children must have awoken to the excitement of a toy train on Christmas morning.

But although our picture choice this week shows a model railway, this is no ordinary train set.

WORK OF ART: recreating the past in miniature PICTURE: Chris Nevard

It’s more like a work of art, a carefully crafted diorama using scale models and landscaping to recreate an authentic glimpse of a bygone era – and it’s the work of professional modeller, photographer and blogger Chris Nevard from Guildford in Surrey.

What makes Chris’s models come to life is a combination of painstaking research, artistic flair and an expertise born of over 40 years’ experience of building prize-winning model railways.

BEHIND THE LENS: Chris Nevard

He creates scenes so lifelike that it’s often hard to be sure that they really are models.

From collieries and quaysides to branch lines and even a cement terminal, his creations are often surprisingly small and transportable for such convincing landscapes, springing up at exhibitions or commissioned by individual customers.

TRUE TO LIFE: a colliery scene PICTURE: Chris Nevard

As well as writing about model making and undertaking photographic commissions for the UK-based Model Rail magazine and several manufacturers, in recent years Chris has also built model railways on a commercial basis.

If that wasn’t enough to keep him busy, he also plays in a band, enjoys fine ale and actively pursues an interest in social and industrial history.

The fascination with railways began as a “spotty teenager” living in Sweden in the 1970s, he says, and a particular fascination with the Somerset & Dorset Railway was stoked by the pictures taken by the prolific railway photographer Ivo Peters during the postwar steam era.

LAYOUT COMMISSION: Neath Riverside PICTURE: Chris Nevard

Conjuring up the “perfect English railway” running through Chris’s favourite part of the country, the appeal was perhaps inevitable. even if he was too young to travel on the line.

But the influence of Ivo Peters is perhaps particularly significant. “Ivo lived in Bath and photographed the line and people extensively,” says Chris. “Through his eyes and lens he captured more than just images of trains and stations – he captured the soul behind the railway.”

That’s the same fascination Chris shares when he sees an inspiring picture in a book.

SENSE OF PLACE: atmosphere is crucial PICTURE: Chris Nevard

“I then want to read about the people and the location, trying to work out what it was really like to live and exist in the portrayed scene,” he says. “Understanding more than track geometry and what engines were used is vital if I’m going to have a successful stab at recreating something from the past in miniature which has atmosphere and a feeling of time and place.

“To achieve that I need to know about the personalities and the fabric that made or makes up the community.”

Intricate modelling and clever photography allows him to adapt scenes to the seasons, capturing the mood of a misty morning or chilly evening, but it’s not just the fascination with historical detail which marks out his layouts, but also his delight in the characters who inhabit them.

MISTY MOOD: morning in the colliery PICTURE: Chris Nevard

Regular tongue-in-cheek blog entries capture moments frozen in time from the miniature worlds he’s created, with a cast of tiny individuals living out their dramas in front of a growing audience of thousands on social media.

It’s all a far cry from that day in 1978 when he bought his first engine by mail order from Hattons of Liverpool, but then the modelling world has been transformed in that time too.

“Modellers more than ever before are realising that there is a lot more to realism than ‘correct’ flange-ways, bolts and exact scale gauge,” he says. “Influences from the USA and mainland Europe where model makers frequently embrace the overall scene equally is at last starting to have a real effect over here too.

FIERY SKIES: sunrise at Catcott Burdle PICTURE: Chris Nevard

“The internet and more recently social media have created a highly effective platform for people to share and exchange ideas. This ‘real time’ tool is really making modellers push the boundaries, which in turn is producing some really exciting new model railway projects and layouts!”

Chris can be contacted through his website, blog and social media feeds like Twitter and Instagram.

Kerrie remains enchanted by nature

KERRIE Ann Gardner’s love of nature shines through in her words as well as her pictures.

A writer and poet as well as an artist and photographer, her social media accounts reveal a young woman “enchanted by the natural world, angered by our treatment of it” and “always happier outside”.

COUNTRY LANES: running is “like a prayer” PICTURE: Kerrie Ann Gardner

A keen runner, she relishes early mornings when the air is cold and the sun casts an amber glow over the landscape, or at nightfall when the indigo darkness descends on the lanes round her home in East Devon as the rooks and jackdaws return to their roosts.

“Running, I think, is my favourite way to pay attention,” she writes. “For a time, I tried to run faster, to challenge myself, break records. But I soon realised that this is not the reason I run. Running, for me, is not a competition. It is, in fact, more like a prayer.”

WINTER OUTLINES: January Rooks PICTURE: Kerrie Ann Gardner

Kerrie studied fine art at A-level, and loved taking photographs as a teenager, but it wasn’t until more recently, when she acquired a Nikon D7000, that she started getting the sort of photographs she had always dreamed of.

Whether that means snatching the briefest glimpse of an owl or woodcock, marvelling at the rare glory of the aurora borealis or simply catching the morning mist lingering over the local landscape, those early starts and dusk outings provide the perfect opportunities to see the local landscape at its best.

PURPLE GLOW: a rare glimpse of the aurora PICTURE: Kerrie Ann Gardner

“Our home is nestled within the beautiful borderlands of Dorset, Devon and Somerset, which affords me ample opportunity to get outside and capture some breathtaking scenes,” says Kerrie.

“I am an avid lover of the British countryside and the wildlife within it and want little more than to be outside experiencing it as much as possible.”

SOFT SPOT: a pair of tawny owlets PICTURE: Kerrie Ann Gardner

It might be a pair of tawny owlets capturing her attention, delightfully fluffy hungry siblings out in open sunlight begging for food.

“I have a soft spot for owls,” says Kerrie. “They have always beguiled me. I think it’s their eyes – those unfathomable, obsidian-like eyes, Guinness-dark and knowing in ways I can only imagine.”

EVENING MEAL: a barn owl hunting PICTURE: Kerrie Ann Gardner

But it might as well be an unusual cloud formation, or a long-deserted road through the woods which conjures up thoughts of the clatter of ancient cart wheels and all the feet which once walked there: drovers, animals, vagabonds and priests.

As well as her passion for photography, her interests range from horticulture to sea swimming, astronomy to dinosaurs.

COLD COMFORT: Swirling Rooks PICTURE: Kerrie Ann Gardner

She enjoys growing her own food and is fascinated by birds and folklore, interesting weather, fungi and the night sky, as her blog, poems and Twitter and Instagram profiles reflect.

From silhouettes of winter trees to hard frosts and full moons, her interests are reflected in her delicate artwork too.

SILHOUETTE: Winter Woodcock PICTURE: Kerrie Ann Gardner

But although she always had a love of art, formal study stifled her creativity, making it hard for her to translate the scenes in her imagination onto the page.

Social media can be an inspiring and engaging place, but it can also sap your confidence, she believes. “On bad days, it can seem like every other artist is producing amazing work while your own stuff never meets the mark.”

DREAMSCAPE: Going Home PICTURE: Kerrie Ann Gardner

Now 38 and a full-time artist and writer, the former ecologist switches the mediums she uses quite regularly, but often uses a blend of soft pastel and acrylic paint for the haunting landscapes that feature as fine art Giclée prints in her online shop.

Recurring images include the bare bone silhouettes of winter trees. “A lot of my inspiration comes when I’m running the lanes near our house,” she says. “I find movement invaluable for that. It stills my mind and allows me to see with more clarity so ideas can amalgamate.”

PAINTED STONE: Fox Fires PICTURE: Kerrie Ann Gardner

“As for social media, it’s been brilliant for getting my artwork seen which I am very grateful for, and I’ve had opportunities arise as a result, like being asked to contribute a piece to the BTO’s Red Sixty Seven book, which wouldn’t have come about otherwise.

“But it can be a difficult tool to negotiate during periods when you haven’t created much, as it can feel like everyone else is making while you’re falling behind.”

Her work for sale includes original drawings, prints and painted stones, the latter mainly focusing on birds.

BIRDS IN THE HAND: Welsh Ravens PICTURE: Kerrie Ann Gardner

And as well as revamping her online shop for 2024, she promises we’ll see more of her photographs too.

“I don’t really buy into the whole New Year’s resolution thing, especially as to my mind the winter months are a time for hibernation and deliberation,” she says. “And yet, I do think it’s good to voice intention in these darker months. It’s like planting a bulb the right way up, making it easier for the ensuing plant to break the soil and reach the light.

NEW YEAR’S RESOLUTION: Kerrie Ann Gardner

“So I’m sending down roots to remind myself that next year there needs to be more photography in my life and that it needs to be shared, because it’s not much use stuck on a hard drive.”

Kerrie’s work can be found on her website, Instagram and Twitter feeds.

Picture of the week: 11/12/23

OUR picture choice this week takes us “across the pond” to New Hampshire and a world of photographs and micro poems celebrating the natural world.

This is the work of Catherine Arcolio, a 62-year-old whose Leaf and Twig blog began more than a decade ago as a practical way of helping her to recover from depression and addiction.

WORLD OF COLOUR: detail from Morning Meditation PICTURE: Catherine Arcolio

As she revealed in a frank features interview this week, the pairing of poetry and photography began after she moved from the city to a tiny rural community and became an important daily ritual that provided a foundation for her recovery.

In around a dozen words, her poems celebrate both the natural world and the human condition, while the images focus on the landscapes, wildlife, flowers and insects around her home, close to the state border with Vermont.

FISHING TRIP: At The Elegant Edge PICTURE: Catherine Arcolio

Her blog subscribers celebrate her ability to “take the ordinary things of this world…and in one image and a few perfect words reveal them as magical”, with many posts receiving dozens of likes.

“Your photos and prose are like little delicious sweets for the soul,” writers one reader. “Your poems always take me to a quiet, peaceful place of bliss,” says another.

WHITE OUT: detail from Sighs In The Hay PICTURE: Catherine Arcolio

Remarkably, there’s been a post very day since July 2011, and Catherine’s archive provides a searchable database of those entries, all 4,000-plus of them.

She confesses: “This daily art-making saves me. I’ve been training my eye to always be on the lookout for beauty as I listen deeply for all the languages of nature so I can translate them into poetry and share them.”

MOMENT OF PEACE: detail from Spirit Guide PICTURE: Catherine Arcolio

And she goes on to explain to her subscribers: “I’ve constructed a kind of life raft that keeps me from being pulled under by the ugliness, grief and disappointment that is inevitable in life. There is room on that raft for everyone. Especially you.”

Nature holds the key to recovery

FOR Catherine Arcolio, nature wasn’t always a refuge – but it was to become a genuine life-saver.

“There came a time when I had nothing left but hopelessness and despair,” she recalls on her website Leaf and Twig.

“Each day was an abyss. All the colour, light, purpose and connection had drained out of my life. I’d spent decades self-medicating my depression until eventually, my ‘solution’ became an addiction.

TOUGH JOURNEY: Catherine Arcolio

“Together, depression and addiction held me hostage for a number of years and then brutally robbed me of the will to live.”

It took support from her family and friends and a move from the city to a tiny rural community in New Hampshire for Catherine to find the resources that could help with the hard process of managing her depression and recovering from addiction.

SMALL-TOWN THERAPY: detail from Perspective PICTURE: Catherine Arcolio

“I found comfort in the quiet of the woods and in the peacefulness a lack of cell service imposes,” she says. “Nature asked nothing of me but my respect. I could be exactly as I was. Slow. Speechless. Sparkless. My spirit was in tatters.”

Lying across the river from Vermont and just a few hours from the Canadian border, her chosen place of refuge proved the ideal place to reclaim her life, she reflects.

SAFE REFUGE: detail from Asylum PICTURE: Catherine Arcolio

“It’s a very rural area. Our “town” features a stop sign, post office and tiny market,” she says. Immersed in nature, she was able to get out and about in all weathers, soak up the sunshine and rain and appreciate the particular beauty of each season and the natural processes of birth, ageing and death, savouring the eternal return of spring.

“A model of the whole, complicated, entwined, gloriousness of life,” she says. “That second spring I started to notice colours again. So many shades of green! A sky so blue you could practically splash it on your face.”

SECOND SPRING: detail from Visitor PICTURE: Catherine Arcolio

After living such a desolate grey monochrome existence for so long, the contrast was dramatic, but the transformation did not happen overnight.

“The healing was happening in infinitesimal increments, too small to notice daily or even monthly,” Catherine explains. “And then suddenly, like in the Wizard of Oz, the world was full of colour once again.”

WORLD OF COLOUR: detail from Morning Meditation PICTURE: Catherine Arcolio

Darkness wasn’t banished, but there was definite progress. The question was, how to keep moving toward the light?

Trawling the internet, Catherine stumbled across the work of Satya Robyn, an author, Buddhist teacher and psychotherapist who advocated writing short poetic observations or “Small Stones” as a way of engaging with the world in all its beauty.

POETIC SNAPSHOTS: detail from Destination Spring PICTURE: Catherine Arcolio

“I followed her prompt of writing a short observation each day for a month – and then just never stopped,” she recalls. “I decided to take a photograph of what I observed as I communed with nature each day and pair it with my words.

“Later I would learn this pairing is an ancient art form called ekphrastic poetry. All I knew was that it was helping me stay connected, aware, hopeful and grateful.”

COLD COMFORT: detail from Winter Work PICTURE: Catherine Arcolio

Now 62, she started posting on her Leaf and Twig website back in 2011, garnering dozens of “likes” for her short poems and making a “very modest” revenue stream from subscriptions, supplemented by occasional sales of fine art prints and greetings cards through her pixels.com and fineartamerica shops.

TASTY TREAT: detail from Break Time PICTURE: Catherine Arcolio

The poetry and photographs became something of a daily ritual, she explains: “One day at a time for over a decade I’ve built a foundation for my recovery and a body of work that honours and celebrates the natural world and our human condition.

“It happened organically, not as a grand plan. Just a practice to keep connected, to focus my mind towards gratitude rather than despair. This daily art-making saves me. I’ve been training my eye to always be on the lookout for beauty.”

SUNNY OUTLOOK: detail from Dreaming Porch PICTURE: Catherine Arcolio

In a “loud world” that moves faster and faster, she aims to transport viewers into a peaceful and intimate space, an opportunity to “linger in the renewal, nourishment and wonder of the natural world”.

And, like the woods, her website has been a refuge too, a “lovely community” of people who share their views through the comments, she says.

“That has been so healing to me, that the response to my work echoes the spirit in which it is offered.”

FIERY FINISH: detail from Flames from the Night Sky PICTURE: Catherine Arcolio

The internet can be a mean place, but Catherine’s website has been a sanctuary where supporters have found themselves drawn to her images and words, and the promise of beautiful daily encounters that they offer. And long may that continue.

Catherine’s blog can be found here, and her galleries of images for sale on pixels.com and fineartamerica.com.

Photographers are just wild about the Chilterns

IT’S four years since Pete Hawkes and Matt Kirby teamed up to produce The Best of Chilterns Wildlife, but the little square book is still a marvellous introduction to the fascinating species that make the Chiltern Hills so very special.

IN FOCUS: The Best of Chilterns Wildlife

From badgers and bats to moorhens and moths, the book contains more than 150 photographs chronicling the most familiar flora and fauna of the area, along with a selection of rarer visitors – nearly all taken by enthusiasts while out and about exploring the local landscape.

It’s not quite a spotter’s guide, but the pocket-sized volume is divided into helpful sections which include mammals, birds, amphibians, reptiles, invertebrates, fish, plants, lichen, fungi, slugs and snails.

CHANGING SEASONS: harvest time PICTURE: Karen Woodward

Inspired by Matt Kirby’s Chesham Wildlife facebook page, where for years local people have posted their nature photographs, the book contains a glorious cross-section of colour pictures and even includes some photographic advice from those fascinated by the challenges posed by different types of wildlife.

With more than 4,000 members and a focus on the 10-mile radius around Chesham, the group features daily posts exploring popular haunts from the Pednor Valley and Chartridge to the Chess Valley, Tring Reservoirs, Marlow and Ashridge estate.

GARDEN FAVOURITE: the chirpy robin PICTURE: Graham Parsons

From the glorious front-cover portrait of a brown hare captured by Ben Hartley to wasps and beetles, the book is not intended as a comprehensive guide, but captures a good range of the species which thrive in the different habitats in and around the Chilterns Area of Outstanding Natural Beauty.

The AONB runs north-eastwards from Goring to Luton and Hitchin, encompassing the core circulation area of The Beyonder.

FISHING TRIP: an egret on the hunt for a meal PICTURE: Carol Scott

Amid the ancient beech woodland and rare chalk streams are a huge array of birds, for example, from woodpeckers, nuthatches and jays to egrets and owls, from kingfishers, kestrels and buzzards to the iconic red kite that has become such a familiar symbol of the region.

Short sections focus on some of the different habitats of the area, from hedgerows and rivers to chalk grassland and gardens, while the book also guides readers to nature reserves and Sites of Special Scientific Interest managed by a range of conservation bodies.

ICONIC: red kites have become a familiar sight PICTURE: Graham Parsons

Local author, publisher and gallery owner Pete Hawkes stresses that one aim of the book was to increase awareness and understanding of local wildlife, helping people to differentiate between various species and deepening their respect for nature and the countryside.

From woodland flowers and butterflies to orchids, beetles, fungi and grasses, smaller and less familiar species are not forgotten, either.

Something of a labour of love, it took a couple of years to collate the pictures and put together the text, but the compact volume has proved popular, with more than 2,000 copies sold since its launch in 2019.

The Best of Chilterns Wildlife costs £9.95 plus p/p and is also available from a range of local bookshops.

Magical world amid the mist and murk

FOR some it’s the most evocative, magical and colourful month of the year: a time of misty mornings when a chance ray of sunlight might highlight the delicate filaments of a spider’s web or a dramatic sunset provide the perfect finale to a rain-soaked ramble.

SUNSET SONG: spectacular colours at Coombe Hill PICTURE: Gel Murphy

After the fun and games of Halloween, the noise and lights of bonfire night bring our caveman origins to the fore: bathed in woodsmoke and the acrid smell of gunpowder, we draw closer to the flames and huddle together for warmth and light.

Mosses, lichens and intriguing fungi flourish in the damp woods, while for a fortnight or so the trees are draped in the glorious yellow, gold and russet hues that mark the most spectacular natural fireworks show of the year.

FUNGI FIND: clustered bonnets PICTURE: Graham Parkinson

November is a month of remembrance too, of poppies and poppy-strewn memorials, of old soldiers and wreath-laying ceremonies, of sombre thoughts of past battles and lost loved ones.

LEST WE FORGET: November is a time of remembrance PICTURE: Sue Craigs Erwin

It can be a bleak, damp time, and with darkness falling by teatime and a fine drizzle all too often washing the colour out of the landscape, it can be all too tempting for us to stay close to the fire.

FAIRY CITY: mushrooms flourishing in the woods PICTURE: Anne Rixon

Making the extra effort to dress up warm and shrug off the rain can bring its own rewards, though.

RICH PICKINGS: a blue tit feasting on berries PICTURE: Lesley Tilson

There’s wildlife aplenty flourishing among the trees, with birds feasting on berries and hedgehogs settling down for the winter to a backdrop of whistles from the red kites that have become synonymous with the Chilterns in recent years.

GORGEOUS HUES: a red kite PICTURE: Sue Craigs Erwin

Once a common sight in the towns and cities of medieval Britain, the birds had become virtually extinct by the end of the 19th century after 200 years of human persecution.

PERFECT CAMOUFLAGE: a kite among autumn leaves PICTURE: Anne Rixon

These days the Chilterns is one of the best places in the UK to see the birds, thanks to a successful re-introduction project between 1989 and 1994 which now sees them soaring on the thermals across the region.

IN FULL FLIGHT: red kites are flourishing PICTURE: Sue Craigs Erwin

Not that they are the only birds of prey to be spotted on a November day. Owls and buzzards, kestrels and sparrowhawks can also make an appearance, squatting on a fencepost or swooping over the fields.

EAGLE EYED: a juvenile female sparrowhawk PICTURE: Graham Parkinson

We are blessed to live in an area of outstanding natural beauty which pretty much epitomises quintessential English countryside, with its sweeping chalk hills, quaint market towns, historic pubs and breathtaking views.

PICTURE POSTCARD: a quiet country lane PICTURE: Gel Murphy

The weathered brick walls of a pretty cottage down a quiet country lane reflect the final blaze of autumn colour before the icy blast of December arrives and the trees get stripped bare by fierce winds and driving rain.

CHEEKY FACE: the ubiquitous grey squirrel PICTURE: Sue Craigs Erwin

The squirrels are stocking up too, their cheeky faces one of the most familiar wildlife sights in local woods.

STAR PERFORMER: the grey squirrel PICTURE: Carol Ann Finch

On bleaker days, it may be hard to find much to photograph among the drab, dripping branches, though more inventive souls are good at spotting those small shapes, shadows and textures that can still produce the perfect picture.

SMALL DETAILS: textures and shapes stand out PICTURE: Gel Murphy

For some, it’s the small details which catch the eye, from veins on leaves, unfamiliar fungi or seed cases strewn among the leaf litter.

OUT ON A LIMB: leaf patterns catch the light PICTURE: Ron Adams

Up in the Lake District they call the sullen no man’s land between autumn and winter “back End”, a lost “fifth season” of the year recalled by author and friend Alan Cleaver, better known as @thelonningsguy.

AUTUMN GLORY: Coombe Hill PICTURE: Sue Craigs Erwin

Writing in his blog back in 2013, Alan wrote: “It’s such a blindingly obvious fact to most Cumbrians that you really do wonder how the rest of the world copes with a mere four seasons.

SOFT EDGES: trees loom out of the mist PICTURE: Sue Craigs Erwin

“It comes between autumn and winter when autumn’s lost its glory but winter is yet to bite.” It’s a perfect phrase for summing up the dank, drab atmosphere on some days in late November, when the light feels bleached and the undergrowth sodden.

CARPET OF LEAVES: walking the dog PICTURE: Gel Murphy

But not all days are like that – chilly glimpses of winter sunshine uncover the glories of the Chilterns landscape, from colourful fungi to foraging birdlife.

PURPLE HAZE: amethyst deceivers PICTURE: Graham Parkinson

And even on days when the landscape starts feeling somewhat bleak and unwelcoming, it’s a time when our bird tables come alive with tiny visitors and crisper mornings reveal gloriously intricate spiders’ webs and colourful mosses carpeting old tree stumps.

PLUSH PLUMAGE: a male bullfinch PICTURE: Graham Parkinson

Some less familiar faces may join the native birds feasting on the hawthorn, holly and juniper berries, while hedgehogs and badgers are seeking out comfortable spots for a wintry snooze – and there might even be a chance to catch sight of a stoat in its winter coat of ermine…a camouflage tactic that offers somewhat less protection now that our winters are becoming less and less snowy.

As November comes to a close, there may be a true icy blast to remind us that winter is just around the corner.

CHILLY OUTLOOK: looking out over Aylesbury Vale PICTURE: Lesley Tilson

Chilly it may be, but our timeless Chilterns landscape has not lost all its colour yet, tempting us out in our scarves and mittens in the hope of hearing the whistle of a kite or hoot of an owl, watching the wildfowl squabbling at the local quarry or the bats coming out to hunt as darkness falls.

TASTY SNACK: the colourful goldfinch PICTURE: Sue Craigs Erwin

Evergreen trees and bushes provide an array of berries for native birds and migrants alike, while foxes are on the move, younger dog foxes and some vixens leaving their home territory to try to establish territories of their own.

PASSING THROUGH: a fox on the move PICTURE: Sue Craigs Erwin

It’s a time of year when many young foxes are killed by cars, while others could die from cold or starvation if the winter is a hard one.

SUNNY OUTLOOK: a footpath at Latimer PICTURE: Sue Craigs Erwin

Badgers too are are pulling moss, leaves and bracken into their underground setts where they spend so much time snoozing, while round in the gravel pit the wildfowl are squabbling and the migrants have arrived in force.

SEEING THE LIGHT: a dramatic sunset PICTURE: Sue Craigs Erwin

On crisper, clearer mornings the lighting effects are more striking, and dramatic cloud patterns offer the promise of a memorable sunset.

BALANCING ACT: a rooftop silhouette PICTURE: Sue Craigs Erwin

When the sun is low on the horizon, the rays pass through more air in the atmosphere than when the sun is higher in the sky, and there are more moisture and dust particles to scatter the light and produce those vivid red and orange hues we love so much.

GRAND FINALE: an evening display PICTURE: Lesley Tilson

Some of the most dramatic sunsets occur when clouds catch the last red-orange rays of the setting sun or the first light of dawn and reflect the light back towards the ground.

MOONSHOT: our nearest astronomical neighbour PICTURE: Sue Craigs Erwin

The skies offer plenty of other photographic opportunities too. And on a chilly November night in the heart of the woods, there’s nothing more atmospheric than a full moon casting a ghostly glow through the ancient branches.

FADING LIGHT: leaf litter at Latimer PICTURE: Sue Craigs Erwin

Only an hour ago, the place was awash with autumn colour, the last afternoon rays of sunlight lighting up the russets and browns of the fallen leaves. Now, although it’s not late, there’s little stirring among the frost-tipped leaves. The dog walkers have long headed home and most creatures with any sense have burrowed down for the night.

LENGTHENING SHADOWS: in the woods near Latimer PICTURE: Sue Craigs Erwin

The call of an owl pierces the cold night air and the occasional explosive flurry of a startled pigeon or muntjac is enough to get the heart beating a little faster, but for the most part these dark woods seem deserted.

That’s something of an illusion, of course. It may be quiet, but this is still a refuge for wildlife of which we often catch only tantalising glimpses.

How often have we spotted a weasel or dormouse, for example? The occasional rustle among the leaf litter reveals we are not alone, and the reassuring hoots of the owls are a reminder that food is plentiful if you know where to look for it.

CHANCE ENCOUNTER: otters have been spotted on the Thames PICTURE: Nick Bell

But although a fortunate wild swimmer might bump into an otter in the Thames, or spot a bank vole preening its whiskers, you have to get up with the lark or mooch silently around at dusk to stand a chance of catching a glimpse of our more elusive mammals.

CUTE CUSTOMER: a bank vole PICTURE: Graham Parkinson

On night walks like these, it’s easy to have a sense of time standing still: of past generations sharing the same sounds and emotions as they trudged along the local drovers’ roads and ridgeways on just such a wintry evening in a past century.

FAMILIAR ROAD: time stands still on old footpaths PICTURE: Sue Craigs Erwin

Chilterns woodlands reek of history – of charcoal burners and iron age forts, of lurking highwaymen and wartime military camps.

PICTURESQUE: Finch Lane in Amersham PICTURE: Sue Craigs Erwin

Amid this picture postcard landscape, Romans built their ancient roads out from London, stagecoaches swept past on their way to Oxford or Amersham, and displaced Polish families lived for years among the trees after the Second World War…

IF TREES COULD TALK: ancient boughs at Burnham Beeches PICTURE: Andrew Knight

If the trees could talk, they could tell countless tales of past generations, of royal parks and medieval manors, entrepreneurs and philanthropists, poachers and politicians.

SPLASH OF COLOUR: autumn puddles PICTURE: Lesley Tilson

Speaking of one of her November rambles a couple of years ago, Melissa Harrison writes in The Stubborn Light Of Things: “Dusk is my favourite time to go out walking. As the light fades, the night shift clocks on: rabbits come our to feed, owls call from the copses and spinneys, and foxes, deer and bats begin hunting as darkness falls…”

GO WITH THE FLOW: the Thames at at Cliveden PICTURE: Siddharth Upadhya

She goes on: “But there’s another reason I love to be out of doors at day’s end. Here in Suffolk traces of the past are everywhere, from horse ponds glinting like mercury among the stubble fields to labourers’ cottages like mine with woodsmoke curling from brick chimneys hundreds of years old.

WHO GOES THERE?: a fallow deer buck PICTURE: Graham Parkinson

“In the half-light of dusk, the old lanes empty of traffic, it’s possible to leave behind the present day with its frightening uncertainties and enter a world in which heavy horses worked the land, the seasons turned with comforting regularity and climate change was unheard of.”

Here in the Chilterns too, the buried flints and pots beneath our feet remind us that this landscape has been home to people like us for thousands of years: we can smell the woodsmoke rising from ancient chimneys, watch the silvery Thames slicing through the fields and feel just a little more connected with the natural world around us.

AT THE CROSSROADS: a signpost at Ley Hill PICTURE: Sue Craigs Erwin

If you’d like to contribute to our “calendar” articles, contact us by email at editor@thebeyonder.co.uk or come and join us on our Facebook group page.

As always, a huge thank you to all the local photographers who have allowed us to use their work this month: click on their pictures to find out more about our regular contributors.

Picture of the week: 24/05/21

THOSE who love an early morning walk in Slough’s Langley Park or Black Park may already be familiar with the work of landscape photographer Kevin Day.

PERFECT SYMMETRY: Love Swans by Kevin Day

The Slough-based photographer has contributed a number of pictures to a gallery linked to the Friends of Langley Park website – and the story of one major photography project is told in an old profile article in Amateur Photographer.

NEW DAWN: the gnarled tree in Langley Park by Kevin Day

“I often get up at five or six in the morning and go to the park, which is a ten-minute walk away,” says Kevin in the article. “It’s the light that interests me, and the way it affects the landscape. It’s constantly changing, at different times of the day, different times of year.”

His studies of a gnarled tree in Langley Park showed how you can return to the same subject again and again and get a different picture every time. But Kevin goes on to explain how the tree was also a symbol of his photographic renaissance.

Today, his personal work continues to complement his professional output and a selection of his nature pictures reflect this. “It’s more of a little hidden gallery occasionally people stumble across!” he says.

For those who share Kevin’s love of those two local parks, it’s a real treat – with dozens of pictures to choose from – and the option to purchase copies too.

Lockdown puts Steve’s life in sharper focus

SOMETIMES it takes a crisis to make you look at the world in a different way.

That was certainly true for Steve Gozdz. He and his partner Billie O’Connor relocated from Surbiton to the Chilterns in 2019 to be closer to nature, but he was due to head back into corporate life when Covid-19 struck.

BIRD IN THE HAND: wildlife photographer Steve Gozdz

Despite years working as a contracts manager, Steve had always had a keen interest in wildlife, especially birds.

And as he explored the local countryside during the initial lockdown taking pictures of the wildlife he saw and sharing them with others on social media, he was taken aback by the level of appreciation of his photographs – and later, by requests from people to join him on his walks.

OUT AND ABOUT: Steve’s guided walks proved increasingly popular

After setting up a Facebook page encouraging local people to engage with nature, as lockdown restrictions bit hundreds of followers starting to share their own photographs from their walks.

Could wildlife tour guiding provide a new career for the 46-year-old entrepreneur? Goring Gap Wildlife Walks was born.

GAP IN THE MARKET: Steve realised his hobby could provide the basis for a new business

“We agreed now was the time to swap that corporate lifestyle for my passion,” says Steve, whose friends dubbed him ‘The Bird Whisperer’ for his ability to help them seek out and enjoy the local wildlife.

On holidays abroad, the couple would often pay a guide to show them the sights and wildlife of different countries, from Gambia and Senegal to Portugal. Why not try running similar guided walks closer to home?

SNAP HAPPY: a pair of pheasants put on a show PICTURE: Steve Gozdz

Says Steve: “I have always been fascinated by wildlife and having moved to the Chilterns, I was able to really indulge in my “serious hobby” of wildlife photography and walking in our amazing countryside.”

Part of his mission is open people’s eyes to the area’s natural wonders, and the couple could hardly be better placed, given the unique Thameside location of the ancient villages of Goring and Streatley, the meeting point of two Areas of Outstanding Natural Beauty (the Chilterns and North Wessex Downs).

RIVERSIDE RAMBLE: Goring and Streatley straddle the Thames PICTURE: Steve Gozdz

Here two national trails intersect (the Ridgeway and Thames Path), making the villages a popular stopping-off point for those on long-distance walks, with ready access to both Oxfordshire and Berkshire.

While the immediate surroundings were ideal for guided tours, the area covered by his walks was soon rapidly expanding over neighbouring counties, with options ranging from short family walks geared towards children to private tailored walks for those interested in more specific “sightings”.

BALL OF FLUFF: a tawny owlet PICTURE: Steve Gozdz

“I think there really is a growing interest in the countryside and appreciate of the wildlife within it,” says Steve. “The difficulties of Covid-19 have been numerous, but during these hard times we have seen a positive by-product – the growing love and appreciation of our countryside and wildlife.

“I spend most of my time outdoors. I really believe in the power of nature as a healing agent and to bring about calm and balance. Scientific studies have certainly proven the power of fresh-air therapy – being in the outdoors, walking, and taking in nature.”

FRESH-AIR THERAPY: a firecrest poses for the camera PICTURE: Steve Gozdz

Current lockdown restrictions may have prevented Steve from running walks for customers, but he has kept up his daily exercise walks and has been taking plenty of photographs to share across Instagram, Facebook and Twitter.

“Winter brings a number of birds only seen this time of year such as fieldfare and redwing; both quite shy but beautiful birds, they winter here to escape the harsher climate of their mostly Scandinavian homes,” he says.

“We have also seen small groups of lesser redpoll feeding in the silver birches and alder, and flocks of goldfinch have made their way into our gardens to feast on feeders of nyger and sunflower hearts.”

WINTER VISITOR: a redwing among the rosehips PICTURE: Steve Gozdz

With kingfishers posing obligingly at various places along the river and the signs of spring all around, there’s certainly no shortage of sightings to write about, much to the delight of his social media followers.

“The birds are now more vocal, especially at dawn as they re-establish existing pair bonds and last year’s young are ready to become parents themselves,” says Steve. “We are fortunate in this area of the UK to have four types of owls we could see, especially during the stage of post-fledgling until the end of the summer; my owl walks prove extremely popular from June to August.”

LOCKDOWN ALBUM: a nuthatch PICTURE: Steve Gozdz

Steve’s clearly itching to get back out and about as soon as the restrictions allow, having organised walks for more than 200 people since starting the business in July 2020.

Future events include the Chilterns Walking Festival, more family-friendly wildlife walks with spotting guides, and partnerships with local hotels who want to offer wildlife tours and photography sessions for their guests.

FROZEN IN FLIGHT: the barn owl is one of four species found locally PICTURE: Steve Gozdz

Many walks take place on private land, allowing the small groups to be genuinely alone with the wildlife they come across.

“The children really love it and you never know whether you might be inspiring the next Chris Packham,” says Steve.

“I started out thinking this would be a temporary business to see me through lockdown but now I’m hoping to earn a permanent living from my passion. I feel very lucky with the success I’ve had so far.”

For more details see Steve’s website and follow him on Instagram, Facebook or Twitter.

Pop goes the weasel for sharp-eyed Nick

IT’S not every day you come face to face with a weasel.

But that’s certainly one of the most memorable wildlife encounters enjoyed by Nick Bell, the Maidenhead photographer whose pictures have been in the spotlight on this page for the past couple of weeks.

CAUGHT ON CAMERA: a weasel pauses long enough to be pictured PICTURE: Nick Bell

Stoats and weasels aren’t that unusual in the British countryside, but you don’t get to see them very often other than a quick flash as they streak for cover.

Nick recalls: “I was walking along a path in Ockwells Park, early on a crisp, beautiful March day, when the weasel ran across the path right in front of me.

“It jumped up onto the bottom rail of the fence and, when it came to a break in the undergrowth, stopped and looked at me, no doubt wondering if it could make it past me with no undergrowth to hide it, just long enough for me to get its photo.

“I wasn’t sure if it was a stoat or a weasel, so I did some research. I discovered that a stoat is the size of a cucumber and a weasel the size of a sausage. Stoats also have longer tails than weasels.”

HIDE AND SEEK: a grey squirrel appears to be in playful mood PICTURE: Nick Bell

Some animals are more obliging when it comes to posing for the camera, like the inquisitive grey squirrel which looks as if it’s playing a game of hide and seek.

Mustelids like stoats, weasels, badgers and otters all pose more of a challenge because they generally tend to be active at night, which makes them elusive.

Foxes and deer are timid too, but a little easier to stumble across if you are light on your feet and approach quite cautiously.

FUN AND GAMES: young foxes at play PICTURE: Nick Bell

“I get to see occasional foxes during my walks,” says Nick. “The day that I saw two was unusual, though. They were a couple of young foxes. I watched them play fighting for fifteen or twenty minutes. It was a complete delight. They were at the far end of a field, so I couldn’t get the best photos of them, but it was still a great experience.”

WATCHFUL EYE: a fox appears to be staring straight at the camera PICTURE: Nick Bell

Our previous selections have focused on Nick’s pictures of insects and birds, taken in a variety of locations near his home patch in Maidenhead. He was born in Cookham and moved back to the area after taking early retirement at the age of 61.

But mammals pose their own challenges – and rewards.

SPRING SETTING: a roe deer in the woods among the bluebells PICTURE: Nick Bell

Says Nick: “There are some spots in and around Ockwells Park where I know you are likely to see deer. The great thing about photographing them is that they usually stand absolutely still, no doubt thinking that that will prevent you from seeing them.

“My favourite time to photograph them is when the bluebells are out in the woods. Sometimes, they decide to run for it, and leap in the air as they run, which is great for photos.

ON THE RUN: a deer scampers for cover PICTURE: Nick Bell

“One of my most disappointing ‘near misses’ in a photo was when I spotted a very young roe deer kid standing in front of its mother in the woods. I had time for one photo only before they were gone. The photo was, sadly, not in focus. Oh well; you win some and you lose some.”

BALL OF FLUFF: a gosling among the daisies PICTURE: Nick Bell

From cute goslings to fast-moving dragonflies, Nick’s broad range of subjects have provided a lot of pleasure on local wildlife forums.

“I have heard it said many times during the coronavirus pandemic that many of us are using nature for relaxation during lockdowns. That is certainly true of me,” says Nick.

“Wildlife photography has undoubtedly helped with my mental health during these difficult times. Being outside with nature helps to ground me and to relieve stress. I usually get home with a great sense of well-being.”

NATURAL CURE: an early morning walk provides great stress relief PICTURE: Nick Bell

Extraordinary portraits of life on the wing

THE great thing about wildlife photography is the extent to which it immerses you in the landscape.

Capturing the perfect shot means being in just the right place at the right time – and no one knows that better than Nick Bell, whose stunning insect photographs were in the spotlight last week.

BIRD ON THE WIRE: birds silhouetted against a huge sun PICTURE: Nick Bell

This week the focus is on Nick’s bird photographs, starting with a quite extraordinary silhouette taken on one of his forays into the countryside around his Maidenhead home.

The picture was taken at dawn in Ockwells Park, part of which is a local nature reserve.

“I think of each trip out as an opportunity to relax with nature, but also as an opportunity for exercise, so I tend to walk two to four miles on every trip out,” says Nick.

MOUTHS TO FEED: a pair of young kestrels PICTURE: Nick Bell

“This means that I move through different types of habitat – eg by water or through woods – and so see different types of wildlife. Get out there early, ideally for sunrise, when there are fewer people around and the wildlife is most active.”

Although Nick is a relative newcomer to wildlife photography, he has thrown himself wholeheartedly into it since his retirement a couple of years ago and has been a prolific contributor to online nature groups like Wild Maidenhead, Wild Marlow and Wild Cookham.

EYE FOR DETAIL: Cliveden House viewed through a water drop PICTURE: Nick Bell

He has also quickly demonstrated his extraordinary eye for detail and for pictures with dramatically different perspectives, like his unusual portrait of Cliveden House in a water drop or of his own reflection in a horse’s eye.

“Look for slight movements or variations in colour, constantly,” he advises like-minded enthusiasts wanting to capture the natural world on camera.

SELF-PORTRAIT: the photographer reflected in a horse’s eye PICTURE: Nick Bell

“Look up, look down, look to both sides. Look in the distance and also look nearby. You can so easily miss a photo opportunity if you’re not constantly alert,” he says. “Don’t be disheartened if you don’t seem to be seeing much. I can walk for two miles without seeing anything. Then, there’ll suddenly be a flurry of activity.

“In time, you’ll get to know where you’re most likely to see wildlife. In these areas, move slowly and quietly. In the best areas, stand still for five or ten minutes or so. The wildlife will come to you. Always creep round corners, in case there’s something just round the other side. Have your camera ready, just in case.

FLYING HIGH: a Canada goose in transit PICTURE: Nick Bell

“When you see something, photograph it immediately, even if it’s far away. Then gradually creep closer, taking more photographs every few steps.

“Photos are more interesting if the subject is doing something. So, for example, when I photograph a robin, I wait for it to start singing before I press the shutter button. A singing robin makes a better photo than a silent one.”

VALENTINE’S DAY: a robin in the snow PICTURE: Nick Bell

It helps if your subject is prepared to pose in just the right place long enough to provide you with the perfect Valentine’s Day portrait too!

But a closer look at some of Nick’s most striking pictures shows that there always seems to be something happening to capture our attention, whether that means a bird gobbling a tasty treat or red kites swooping and tumbling against a clear blue sky.

CHILTERNS FAVOURITE: red kites at play PICTURE: Nick Bell

“Eyes are everything!” Nick is keen to emphasise. “I rarely keep a photo of any animal if I don’t have its eye clearly visible or well illuminated.

“Goldfinches can be quite a challenge, as their eyes often don’t show up well. The same goes for blackbirds and crows. Try to photograph them with their eyes in sunlight. When focusing the camera, try to focus specifically on the subject’s eye.”

THE EYES HAVE IT: a little owl perches among the branches PICTURE: Nick Bell

A zoom lens makes all the difference, he admits: “I started with a 16-300mm lens, then moved onto am 18-400mm lens, then onto a 150-600mm lens. Each lens change resulted in great improvements in my photos.

“I now use the 18-400mm lens for subjects that are close to me, like insects, and the 150-600mm lens for anything further away. 600mm lenses are heavy! I bought a dual camera harness that puts all of the weight on my shoulders, rather than on my neck. It makes carrying two big lenses (one on each side) relatively easy.”

ON SONG: a yellowhammer provides a rousing chorus PICTURE: Nick Bell

The pictures are taken in a variety of locations near Nick’s home patch in Maidenhead. He was born in Cookham, but lived in Gloucestershire and Wiltshire from 1994, until moving back to Maidenhead and taking early retirement at the age of 61.

An active marathon runner, he took up modern jive dancing in 2009. “I have been hooked on it ever since, competing in national competitions the last eight years or so,” he reveals. “I’ve been lucky enough to compete at Blackpool Tower Ballroom several times.”

KNOCK, KNOCK: a green woodpecker searches for food PICTURE: Nick Bell

In comparison, wildlife photography must seem positively sedentary, though Nick will happily roam a few miles in search of the perfect subject.

“Every day out gives me great pleasure,” he confirms. Thanks to his photographs, those are special moments we can all get a chance to share.

TASTY TREAT: a song thrush rustles up breakfast PICTURE: Nick Bell

And that is particularly valuable when such snapshots frozen in time are often hard to capture on family rambles, when our conversation may scare wildlife away, or a sudden rustle in the bushes is the only evidence that an insect, bird or tiny mammal is close at hand.

Depending on the available light, Nick will use a high aperture or fast shutter speed to freeze a movement, especially when dealing with fast-moving insects or birds like goldcrests, which never stop moving.

COLOUR CONTRASTS: starlings stand out against bright red berries PICTURE: Nick Bell

Insects and mammals feature just as frequently in his pictures, but sometimes it can be the early morning sky or the shadows in the woods at dusk that catch his eye.

“Those are the best times,” he says. “When you can stand silently, enjoying warm early morning sunshine, and being alone with nature, with no other people around.”

EARLY BIRDS: geese at sunrise PICTURE: Nick Bell

Next week: Our final selection of Nick’s pictures turns the spotlight on mammals

Miniature world displayed in fine detail

NICK Bell’s never been one to shy away from a challenge.

His participation in no fewer than 18 London marathons can testify to his energy and a more recent fascination with modern jive dancing has seen him strutting his stuff in national competitions at the famous Blackpool Tower Ballroom.

Perhaps it should come as no surprise, then, that taking up a new retirement hobby a couple of years ago would see him throwing himself with just as much enthusiasm into the world of wildlife photography.

FROZEN IN FLIGHT: a southern hawker dragonfly PICTURE: Nick Bell

His output has been prolific, encompassing such a broad range of subjects that it needs a three-part series to do justice to his new-found passion, starting with a selection of photographs this week focusing on the smallest details of insect life.

“I took early retirement at the age of 61 two years ago,” says Nick. “With the start of the first lockdown, I took up wildlife photography and bought myself a 600mm lens, which I now couldn’t be without.”

That lens has allowed him to capture some extraordinary sights – none more dramatic than our picture choice this week of a southern hawker dragonfly in flight, captured at Stonor Park.

Nick recalls: “There were two or three of them flying over the ponds. They just wouldn’t keep still, so it was really difficult to photograph them. That photo was the best one from thirty minutes of attempting to photograph them. The great light that day helped, too. It was bright enough for me to us a very fast shutter speed – 1/4000th second.”

The large inquisitive dragonflies differ in colour between the male – dark with blue and green markings and the female, which is brown with green markings.

Common across the Chilterns, hawkers prefer non-acidic water and may breed in garden ponds but hunts well away from water, often hawking woodland rides well into the evening.

POLLEN COUNT: fine detail captured on a visiting bee PICTURE: Nick Bell

Other attention-grabbing shots range from flies, beetles and bees to a startling close-up of a wasp spider dangling by a thread.

UNDER COVER: a ladybird potentially unaware of its prey PICTURE: Nick Bell

For the technically minded, Nick explains that the lens which helped to transform his photos is a Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary lens.

READY TO DROP: a bee captured over a poppy PICTURE: Nick Bell

“I also use a Tamron 18-400mm lens for close-up photography. I haven’t really got into macro photography, but it’s something that I want to do,” says Nick.

His studies capture a glorious range of colours and fine detail, as in his portrait of a banded demoiselle damselfly, a large fluttering insect with butterfly-like wings and spectacular metallic colouring.

METALLIC GLINT: a banded demoiselle damselfly PICTURE: Nick Bell

Other insects to catch Nick’s eye include the common darter, one of the most common dragonflies in Europe, but not always as obliging about posing for photographs as this one.

PERFECT POSE: a common darter dragonfly PICTURE: Nick Bell

The pictures are taken in a variety of locations near Nick’s home patch in Maidenhead, with the surrounding fields and woods sometimes taking centre stage too, providing a gorgeous backcloth to the fine detail of the insect, bird and animal studies.

SHADOWLANDS: local woodland provides an atmospheric backdrop PICTURE: Nick Bell

Dramatic colour contrasts range from tiny green aphids exploring a yellow rose to the distinctive body colouring of the wasp spider, a recent arrival in the UK from the continent which has slowly spread over the south of England.

TINY TERRORS: aphids on a rose PICTURE: Nick Bell

It builds large orb webs in grassland and heathland, looking just like a common wasp to keep it safe from predators, even though it is not dangerous itself.

That clever disguise may work with predators but it’s no defence for male spiders coming into close contact with their much larger female counterparts, who are prone to eat the males during mating!

CLEVER MIMIC: a wasp spider keeps predators at bay PICTURE: Nick Bell

Some of the fastest-moving insects and birds pose the biggest tests of both camera and photographer. But then that just adds a bit of spice to the chase for someone who has risen to the different disciplines of marathon running and jive dancing.

“I love taking challenging photos – like fast-moving dragonflies and birds,” says Nick. “In my retirement, I run, dance and take photos – not a bad life!”

Next week: Nick’s focus switches to local birdlife

Capture the magic of the moment

ONCE upon a time, on her holidays in Scotland and the Lake District, a young girl grew up sketching the plants, animals and insects she stumbled across with a particular eye for detail.

From those humble beginnings, Beatrix Potter would go on to become one of the most famous and successful children’s authors of all time, renowned for her precise and enchanting illustrations reflecting her fascination with the natural world.

She became particularly interested in mushrooms and toadstools, and from the late 1880s to the turn of the century produced hundreds of finely detailed and botanically correct drawings of fungi.

She also visited her former governess, Annie Moore, and would send letters with amusing anecdotes to the Moore children, often illustrated with pen and ink sketches, which would provide the basis of some of her later books – including one about a particularly naughty rabbit named Peter.

Flash forward a century and a half, and a new generation of young people are exploring their interest in the natural world through art, painting and photography.

SNAP HAPPY: foliage in Penn Woods PICTURE: Sahasi Upadhya (11)

This week our Picture of the Week featured photographs by 11-year-old Sahasi Upadhya taken on family walks around the area.

And if one good thing has emerged from the pandemic lockdowns, it might be the number of young people and their families reconnecting with nature.

Adults too have found local landscapes a continuing source of inspiration and delight, with more than a dozen professional artists featuring in recent Beyonder articles about their work.

On social media too, Twitter and Facebook feeds have been awash with nature journal entries, sketches and photographs recounting people’s encounters with the natural world.

OUT AND ABOUT: Jules Woolford’s nature journal @DrawnIntoNature

In her Drawn Into Nature blog, Bristol artist Jules Woolford explains how her love for the natural world led her to a career helping people to engage with nature and wildlife.

“When I discovered the world of journaling, it was a natural progression to begin keeping a traditional nature journal, like my idols Edith Holden and Beatrix Potter,” she says.

WILD ENCOUNTERS: nature comes alive in words and pictures @DrawnIntoNature

“Our modern lives are so frantic, often filled with noise, busy work, and negative stress. I’m on a journey to slow down and simplify; concentrate on experiences rather than things, (try to) worry less, be more grateful, and kind.

“Sometimes I take two (or three) steps backwards, but I’m trying to keep going. Nature is a great healer, teacher and an inspiration to me. Through my journals, I try to be an advocate for the earth, and all its life forms. I’m fascinated by the stories we’ve created about the natural world, and I love sharing these little tales from history, folklore and fable.”

ARTIST’S YEARBOOK: Stewart Sexton reviews some of the highlights of 2020 @Stewchat

Up in Northumbria, naturalist Stewart Sexton is a bird enthusiast whose paintings and photographs attract plenty of attention on Twitter @Stewchat, although he modestly claims: “A Northumbrian born and bred, I have been interested in natural history for as long as I can remember. I take photos but I’m no photographer, I paint but I’m not an artist either.”

That’s all very well, but if you lack Stewart’s obvious talent but still want to explore your artistic talent through nature, how do you get started?

Maureen Gillespie, an Oxfordshire artist whose chilly lockdown walks at Blenheim Palace saw her singled out as The Beyonder’s Picture of the Week recently, has some advice: “Probably the easiest way to develop your artist talents is to get outside and really observe nature.”

LOCKDOWN LANDSCAPE: one of Maureen’s series of wintry scenes at Blenheim Palace 

Not that you have to go far to find inspiration, she stresses. “Your local park, trees on your road, flowers in your garden or window box, all these amazing things are there to see, smell and touch and when you really study them you can bring them to life in a drawing or painting.”

Fellow Oxfordshire artist and art teacher Sue Side agrees: “I focus on close looking with my young learners. We look – really look – at the world around us and then we interpret, through drawing, painting, sculpture,” she says. “The aim is to encourage exploration and response – to not worry about finding the right word or the ‘correct answer’.”

INTO THE SHADOWS: a moody shot at Homefield Wood PICTURE: Graham Parkinson

Photographer Graham Parkinson found his lifelong interest in wildlife was sparked as a six-year-old by the popular I-Spy books – and the fact his gran had a large garden with a field behind it to explore.

He wasn’t alone. The famous spotter books were first published in 1948, with Mansfield head teacher Charles Warrell the man behind the publishing phenomenon of the 1950s and 60s.

A believer in active learning who devised the spotter guides to keep children entertained on long car journeys, he saw the idea rejected by eight publishers and could hardly have known quite how popular they would prove when he set about self-publishing them (just like Beatrix Potter).

“Spotters” gained points for finding the contents of the books in real-life situations. On completion, they sent the books to Big Chief I-Spy, as Mr Warrell had become known, for a feather, an order of merit and entry into the I-Spy Tribe – which by 1953 had grown to half a million members.

The 40-odd titles went on to sell some 25 million copies by the time Michelin relaunched the series after a seven-year gap in 2009-10. Big Chief I-Spy himself died in 1995 in Derbyshire at the ripe old age of 106.

So it might be a modern I-Spy book that ignites today’s youngsters’ interest in nature – or any one of a dozen quizzes, scavenger hunts or nature guides produced by a variety of organisations from Wildlife Trusts to the Chiltern Society. and Chiltern Open Air Museum.

I-SPY OUTDOORS: there are plenty of family activity ideas at the Chiltern Open Air Museum

The National Trust lists keeping a nature diary as one of its “50 things to do before you’re 11 and three-quarters”, whether that means finding an old notebook or making one out of an old cereal box and decorating it with doodles, paper, leaves, feathers or any other natural items you can find nearby.

You certainly don’t need to have any specialist equipment to have fun – and who knows, the next Beatrix Potter could just be out there somewhere!

See The Beyonder’s Nature guides page for some more activity sheets, and check out the Local landscapes feature to meet more artists who have found inspiration in the Chilterns landscape. If you are a photographer, we welcome contributions to our monthly Chilterns calendar feature. Just drop us a line at editor@thebeyonder.co.uk

Kingfisher is Will’s favourite catch

THIS week’s picture choice is an extraordinary portrait of a hungry kingfisher by local wildlife photographer Will Brown.

The 19-year-old spends as much time as he can outdoors with his camera photographing wildlife in their natural habitats around his home in Hertfordshire.

TASTY TREAT: a hungry kingfisher by Will Brown

He recalls taking his first picture using his dad’s camera at RSPB Rye Meads, a local wetland reserve beside the River Lee which is a firm favourite with walkers, birdwatchers and photographers thanks to its many trails and hides.

That picture was a kingfisher, and these birds remain his favourite subjects, even though his growing portfolio includes owls, kestrels and small garden birds, as well as foxes and other mammals.

“Kingfishers have always been and always will be my favourite subject to photograph,” he says.

His striking shot was taken in October this year in Hemel Hempstead, when the bird was particularly obliging.

“Hemel has the canal, rivers and lakes with lots of access so it is ideal,” says Will. “It was posing beautifully for me on the bridge, hardly disturbed by people which is very unusual for kingfishers as they are usually quite nervous birds.

LATE BREAKFAST: a short-eared owl hunting by Will Brown

“Owls are my rarest and most challenging subject, and another one of my favourites,” says Will.

His striking owl pictures here were both taken on the same evening in November this year.

“By far the best owl experience I have ever had. Quite amazing,” he recalls. “The type of owl is a short-eared owl. They only stay here during winter months. In the summer they migrate to colder climates, such as Scandinavia.”

Still photography remains his main love at the moment, although he has experimented with video footage of owls and kingfishers. “I’m sure in the future I will do this more often,” he adds.

And to answer some of those technical questions about equipment, he explains: “When I first started getting into photography I used the Canon SX50 for the first couple of years. Then I moved on to the Canon 7D Mark II with a Canon 100-400mm Mark II. However, occasionally, depending on the situation I am in I sometimes use the Sony RX10.”

FAMILY PORTRAIT: fox cubs in Hemel Hempstead by Will Brown

Foxes are the main mammals to feature in his portfolio, including an eye-catching picture of cubs taken in Hemel Hempstead back in August 2018. “It is very rare to have them all out at once in the right place!” he says.

Clearly patience is a virtue when it comes to widlife, and that hasn’t always been easy to cultivate, he admits.

“Patience is a skill which has taken me years to develop. When I was about 10, I used to sit around in a bird hide with my dad, bored and uninterested as to what was going on with the wildlife. I use to drag myself along with him because we would always go and get a KFC after.

“After a while, I started to become more and more interested. Patience is a skill which requires the right mindset as well. These days, I am more than happy to wait around all day for a particular bird or animal to show and would not feel fustrated at the end of the day if I produced no results.

“I just enjoy being out and around nature. I never thought all those years ago I would be where I am now, sitting in a hide waiting for my dad to leave and get me a KFC!”

ON THE WING: another shot of a short-eared owl by Will Brown

When lockdown restrictions allow, he hopes to take a part-time photography course at college to help improve his skills and learn more about the industry.

For the moment, his main plans are to keep working on building his portfolio and continuing to sell his photos and reach as many people as he can.

“When someone buys some prints from me, I don’t get a buzz from the fact that I might be making money, I get a buzz from the fact that my photo is in someone else’s house,” he says. “That’s what I love about what I do.”

Framed copies of Will’s prints can be obtained from his website or follow him on his Instagram account.

Rachel relishes a taste of the wild

LOOK at a hedgerow and what do you see? Rachel Lambert sees a feast – or a satisfying meal, at any rate.

Nettles and elderflower, dandelions and heather tea, gorse and seaweed – no wild flower is too much of a challenge for Rachel to rustle up a hearty meal, it seems, and the recipes all look frankly delicious…

From pink elderflower and rose cordial to gorse flower ice cream, wild moorland tea and home-made blackberry jam, this is all about harnessing the extraordinary colours and unique flavours of nature, and Rachel’s prolific foraging has seen her featuring as a guest on morning TV and her recipes popping up in every food magazine from Sainsbury’s to Waitrose.

Her wild food journey started many years ago by a crumbling Devonshire stone wall where friends introduced her to edible pennywort. “It quenched my thirst and tasted as fresh as peas – and my world changed forever,” she recalls.

“To me, foraging is a fun and enlivening way to appreciate the environment and access to fresh, seasonal food. It’s also an excuse for outdoor adventures, as well as quirky and labour of love investigations in the kitchen.”

It was back in 2007 that she started teaching other people about foraging, with that early discovery of pennywort building up into an encyclopaedic knowledge of how to harness the best of more than 100 other edible wild plants and weeds.

“Foraging is the glue that brings together the things that I love; nature, good food and people,” she says.

On hand to capture something of the atmosphere of her unusual lifestyle was Rick Davy, a photographer also based in Cornwall who has produced an extraordinary visual documentary of the lives of dozens of local people from different walks on life, featured on his A Day In The Life Of website.

His pictures – some of which are reproduced here – capture Rachel on a couple of foraging expeditions, including one to pick gorse flowers.

She recalls: “Last winter I went crazy about these flowers. I even made a little video about Foraging Gorse in Winter – such was my love affair with them.

“In my first foraging book I share a Gorse Flower Rice Pudding recipe, and I’ve made so much more with them since then. That day I was trying to perfect gorse flower truffles, and also wanted to dry some flowers for future syrups and cocktails. La, la, laaaa, the joys of foraging for gorgeous drinks and food.

“Those days that I shared partly with Rick are the good days – the outdoor days. As a forager I manage to get outdoors everyday, into nature. The rest of my time is spent cooking, preparing, writing, doing administration and contemplating new ideas and adventures.”

She published her first foraging book in 2015 and it sold out withing six months. She promptly created a second a year later focusing on edible seaweeds.

Having learned from many skilled nature teachers and previously worked within the arts, health and environmental education and community food projects, she was well placed to lead group foraging expeditions with adults and children from all walks of life – some even laced with the odd song or two.

“You may also find me singing my heart out (if no one’s listening) on clifftops and beaches and occasionally sharing one of those foraging songs on courses. It is a new love; that makes me, the plants and others smile (or so I’m told!).

“Joy and pleasure are key to my teaching style and life as a forager. With a self-confessed sweet-tooth, wild desserts and sweet treats made from foraged ingredients feature regularly in my courses and blog posts, as well as savoury delights!”

Rick didn’t need much convincing about the merits of foraging. “I’d be the first to admit that I do love a bit of foraging,” he writes in his photo-essay about Rachel. “Foraging for Rachel has brought together many different things she loves, walking, nature, plants, food, the senses and creative cooking.

“I joined Rachel foraging one early spring morning. She started picking stuff from the hedgerow and to you and I it might pass off as nothing other than weeds.”

Back in her kitchen the wild alexanders were transformed into sweet filo tarts, while she uses bright yellow gorse flowers in jewelled savoury rice, sugar syrups for ice creams and rice pudding, powdered sugar for truffles and cocktails.

“I enjoyed furthering the art of foraging and discovered some new recipes and food along the way,” says Rick, who has lost count of the number of “lives” he has featured on his site, from a beekeeper to a wildlife artist.

“The project will continue to evolve – it has no end,” he says. “I’ve shot and documented the coastal lives project for the love of it. I love what I do for a living.”

Rick Davy is a creative commercial and lifestyle photographer based in Cornwall. All the photographs in this feature are reproduced with his kind permission from his website documenting the lives of individuals living and working by the Cornish coast.

Rachel Lambert is an author and forager based in Penzance who runs wild food foraging courses for groups, families and couples.

Postcard from . . . Chartwell

MY photographic skills are getting no better, it seems.

Taking an early morning stroll in the woods at Chartwell, near Churchill’s old home, I was in a perfect position to capture the drama of a bee systematically entering the bells of a wild foxglove.

Except that, as the evidence shows, the bee was a little too fast for me. Ho hum.

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The good news is that reading Britain’s Wild Flowers by Rosamond Richardson has partially compensated for my incompetence by informing me that this is the fairies’ flower whose distinctive flowers might even be gloves for foxes, given to them by fairies so that they can silently sneak up on their prey. How nice an idea is that?

Mind you they are known by a variety of different names in different places, from goblins’ thimbles to dead men’s bells – a sinister Scottish warning reflecting the idea that if you can hear them ringing, you are not long for this world.

Elves hide in the bells, apparently. The Druids revered these flowers and used them in midsummer rituals, while they were also incorporated into an ointment which, when rubbed on witches legs’, enabled them to fly.

Oh yes, there’s more. We know digitalis is poisonous, of course, and yet it is also the source of the most potent and widely used sustances in the treatment of heart disease. Thank you, Rosamond, for radically reshaping my knowledge of this wild flower and its intriguing history.

Next up, butterflies.

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Flushed with my success last time out, I’m able to capture another meadow brown in all its glory. But although the scene is idyllic – a field full of bustling butterflies against the backdrop of the Weald of Kent –  this is, after all, the only butterfly I have been able to capture on film.

Imagine my delight, therefore, when a small tortoiseshell starts sunning itself in the flower garden at Chartwell. Out comes the camera and a flurry of shots later, it transpires the bird has flown. Well, the butterfly, to be precise.

Instead of the aforementioned tortoiseshell, there a host of flower pictures of where the offending insect had been. You will just have to take my word for it.

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Likewise, the nesting house martins are out of focus and the other birds were too quick off the mark to feature in frame – there are some 45 species at Chartwell, apparently, but most of them weren’t hanging around long enough to pose for the world’s slowest and least talented photographer.

No matter. It was fun, anyway and I am enjoying the process of learning a little more about the natural world around me – the plants, birds and trees, for example. And I just have even more admiration for the wildlife photographers who have the patience, skill and stamina to capture nature in all its glory.

Yes, they may have the right equipment too, but they know how to use it – as demonstrated by Vincent Van Zalinge’s wonderful picture of a kingfisher from Unsplash.

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Mind you, my picture of the fox wearing gloves came out pretty well, surprisingly. But hey, I don’t suppose you would want to see anything as run of the mill as that…

Cunning intruder at the palace

IT’S JUST as well a competent photographer was on hand to capture the magic of a recent crafty visitor to the Pond Gardens at Hampton Court Palace.

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I’m normally quick to blame my photographic disasters on my equipment – the cheapest digital camera in the shop which has subsequently suffered plenty of bumps and scratches on our rural rambles.

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Fortunately as I fumble with the zoom to try to capture a fleeting image of the surprise visitor in the foliage, partner Olivia is on hand to take charge of the equipment and show me how it should be done.

Hence for once we actually have some pictures of the animal in question that are not obliterated by branches or marred by careless camera movements.

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However it also turns out our visitor is not so cunning or elusive as the folklore might suggest – and the warmth of a sun-drenched grassy spot proved too alluring to resist as the perfect place for a quick afternoon nap.

Even the excited squeaks of ‘Reynard!’ from the visiting French schoolchildren could not disturb the slumbers of this rather majestic palace guest…

Secret wonders in the woods

BACK in 1990 the bare field next to Roy and Marie Battell’s house didn’t look too promising as a potential nature reserve…

MAR 1991

But anyone sceptical about the couple’s plan to transform around two acres of cow pasture north of Milton Keynes would be amazed to see just what can be achieved when you undertake a labour of love.

Flash forward more than a quarter of a century and today there are around 800 trees – plus four ponds and meadows attracting a huge cross-section of wildlife. What’s more, over the years the ‘Moorhens’ website depicting life in the Battells’ nature reserve has developed something of an international reputation.

Moorhens were the first waterbird to adopt the ponds that were dug to encourage wildlife – hence the name chosen for the website.

“They successfully raised one to three broods each year from 1991 to 2011,” Roy explains on the site.  The delight of all that activity earned the shy water birds the URL ‘dedication’ for the website – which since then has attracted more than 94,000 visitors intrigued by different aspects of the project the couple were undertaking.

“Planting, digging and caring for this lot has provided more, and more interesting, exercise than ever before in our lives,” says Roy.

Roy and Marie in front of Round Mound(r+mb Sample@576)

When the couple started to dig out the ponds they vaguely anticipated that this would attract the sort of visitors – ducks, coots and dragonflies – that they had been used to seeing at their previous homes, from Watford to Welwyn Garden City.

A then-and-now picture sequence chronicles the development of the reserve from early 1991 to the summer of 2007 – starting with fencing and hedge-planting and moving on to plant bare-root stock and digging out the ponds.

“The first 10 years were very slow with basically a sea of plastic tree shelters in grass that needed endless mowing,” Roy recalls. “But the trees suddenly took off and have become a dark canopy in summer.”

NOV 2007

The hedging is predominantly hawthorn, blackthorn, hazel, dog rose, elderberry and blackberry, but the native hedging of the area includes a lot of elm, which shoots and dies in rotation.

“Of the 50 or so chestnut and hazel trees we planted on the site, the squirrels do not leave us a single nut!” says Roy. “However nothing can decimate the blackberries we hack back each year and Marie makes gorgeous jam from the crop.”

‘The Field’ quickly evolved into an intriguing wooded area providing a surplus of wood for willow wands and similar coppice products, as well as offering home to all types of birds, wildlife and insects, from bluetits and swallows to foxes, badgers and the tiniest insects.

“The sky too is full of interest with breeding by corvids and occasional visits by buzzards, red kites, sparrowhawk and kestrels,” says Roy. “Of course we are delightfully infested by tits, finches, thrushes, robins, sparrows and in recent years tawny, barn and little owls.”

An avid photographer, Roy has not only posted a series of animated sequences showing the landscape and flowers changing through the seasons, but has been systematically chronicling visiting wildlife in a weekly newsletter distributed to dozens of loyal followers

His archive of daily wildlife pictures – including birds and insects in flight – dates from 2005 and has attracted more than 2,500 visitors since 2016.

His latest selection is pretty representative, it seems – from a young magpie with downy feathers to a hungry badger, a little owl, bustling butterflies and dragonflies, clustering rooks and feeding woodpeckers.

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But the event of the week was the repeated appearance over one night of a polecat on the hunt – possibly moving a kit in her mouth and then then carrying two dead rabbits back into her burrow.

It’s the quality of Roy’s photographs, coupled with his painstaking attention to detail in chronicling and recording the animals’ movements, which has attracted the interest of enthusiasts and academics around the world.

He sends these out every week to around 100 subscribers, some of whom are in regular contact. The couple also receive numerous requests from around the world for the original pictures.

“Our pictures are in about 10 wildlife textbooks,” he reveals. The couple are also in regular contact with the Bucks RSPB and other local enthusiasts and supply images to a variety of non-profit organisations and for use in museum displays and educational spreads. There is usually no charge, although those making commercial use of the images are asked to donate to the RSPB or Woodland Trust.

Vegans since 1972, the couple used to grow much of their own food in an allotment area: Marie is a painter who is also mad about gardening – as well as “collecting scruffy old books about the world before it was shrunk by modern communications”.

In recent years that became a little too much to maintain with all the rest of the maintenance and photographic work, and a third of the area has become a little apple orchard using 100 unwanted trees rescued and replanted from a nearby farm.

“We have a little salad bed near the house that used to be a huge cage for a golden
pheasant and his girls (that we inherited with the house 27 years ago),” says Roy. “We enjoyed their company for a couple of years before a fox tunnelled in and killed them.”

The Battells’ website is a modest one, but the archives provide an invaluable day-by-day record of the natural world around them – and an inspiring pictorial backdrop to the extraordinary transformation they have achieved on their doorstep.

Wake up with a smile

JAMIE ROSS WINNING BANNER PICTURE OFR THE DISCOVER BRITISH NATURE GROUP
LEAP OF JOY: Jamie Ross’s winning banner picture for the Discover British Nature Group

WHAT do you wake up to in the morning? For many of us it’s a news feed, TV breakfast show or radio news bulletin – and sometimes that can prove a pretty depressing start to the day.

Fake or otherwise, news can be bad for our health. The dangers were highlighted rather neatly a few years ago in an essay by Swiss entrepreneur Rolf Dobelli, who uses some pretty stark adjectives to describe our standard daily diet of toxic, stress-inducing snippets of irrelevant gossip.

With Dobelli’s warnings in mind of the damage this diet does to our ability to think creatively by sapping our energy, we at The Beyonder have been engaging in a detox with a difference.

Part of Dobelli’s cold-turkey approach involved ditching news in favour of magazines and books which explain the world and don’t shy away from presenting the complexities of life – go deep instead of broad, he advised.

That makes a lot of sense, but we don’t always want to sit down for a lengthy or complicated read, so what alternatives are there to the standard news feed?

In The Beyonder’s facebook group – still at the time of writing a very select gathering of a handful of like-minded souls – we’ve been exploring groups, pages and websites for outdoorsy people which might help us start the day in a more positive way than the conventional tabloid diet of death and destruction.

So, here are a handful of our suggestions which might provide a handy starting point for anyone wanting to start the new day with a jaunty spring in their step and a smile on their face…and we are only too happy to have suggestions of other groups that might be added to the list.

Of course the starting line-up of possible sites is almost too long to contemplate, from charities and country parks to heritage sites and TV naturalists. And there are those which might be a touch too specific for more general tastes, like Emmi Birch’s 1200-strong group of red kite enthusiasts or the 5000-strong followers of a group sharing locations of starling murmurations, or David Willis’s uplifting exploration of bushcraft skills.

So difficult is it to narrow down our top six feel-good sites, that it’s worth highlighting a few more which are calculated to bring a smile to the face before homing in on our top recommendations…

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CREAM OF THE CROP: Sandy Lane Farm in Oxfordshire

For those who like a regular update of life on the farm which doesn’t begin and end with The Archers, there’s always the news feed from Sandy Lane Farm, just a few minutes off the M40 in Oxfordshire.

This family-run farm is home to Charles, Sue and George Bennett and has been growing organic vegetables for over 25 years and raises free-range, rare-breed pigs and pasture-fed lamb. The farm shop is open on Thursdays and Saturdays for those wanting to visit in person, but for 1300 online followers there are regular updates of what they might be missing out in the fields.

Over in West Berkshire, a similar number of followers enjoy regular updates from Aimee Wallis and partner Dario at the Corvid Dawn Wild Bird Rescue Centre. The centre’s work, focused particularly on corvids, formed a full-length Beyonder feature back in May and the news feed provides regular pictures and video of rescued birds’ progress.

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KEEPING IT CLEAN: volunteers in Kidderminster

There’s nothing nice about litter, but a couple of inspiring community websites provide regular reminders that for every thoughtless or selfish individual treating the countryside with contempt there are a dozen highly motivated volunteers behind the scenes doing their best to make their local neighbourhood a better place to live in – and none more so that Michelle Medler and her pick-up team in Kidderminster.

On to our top five, then – and the 1800-strong Discover British Nature Group which describes itself as a place for members to share photos, ask for help with identification and to share their common interest in British nature.

Apart from hosting a friendly banner competition – for which Jamie Ross’s memorable shot above was a recent winner – the daily feed of spectacular shots of birds, insects and other wildlife is always a delight.

A similar website with a bigger 11,000-strong following is UK Garden Wildlife where foxes, hedgehogs, deer and badgers are in the spotlight, alongside a full range of birds, butterflies and other insects.

Given the sheer quality of many of the photographs on all these sites, there’s no such thing as an outright winner here, but in terms of the sheer amount of pleasure given on a daily basis, a clear contender is UK Through The Lens, a Facebook group with 23,000 members and a broader remit for photographs to share landscape and outdoor photographs.

Unlike some of the other groups, this provides scope for sharing pictures from urban and industrial landscapes as well as coasts, wild places and rural backwaters. It is also an excellent place to learn more about photography and is open to all, from outright beginners to full-on professionals.

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FROZEN IN FLIGHT: Alan Bailey’s spectacular group header for Nature Watch

It’s a tough call to name a winner, then, but top of the tree of our photo-feeds for nature and animal lovers is Nature Watch which has a dedicated following of 31,000 members and a steady stream of inspiring photographs uploaded by enthusiasts across the country.

Another delight is The British Wildlife Photography Group, whose 21,000 members share very similar interests – and an equally stunning selection of photographs.

Of course this isn’t about choosing one website at the expense of the others, thankfully. It’s the combined input of all our contenders that helps to lift the spirits – and provides an inspiring and uplifting alternative news feed to those coming from the politicians, pundits and traditional news providers.

In the weeks and months since we have been following these pages (or joined the relevant group), the most noticeable thing about the vast majority of posts has been a real sense of humanity at its best.

Apart from the technical photographic skills of many of those contributing, it’s clear that these are people who care deeply about the environment – and what happens to it.

There’s plenty of scope on other sites to rage about climate change or animal cruelty or all the other things that are wrong with the world. But sometimes it’s important just to sit back with like-minded souls and marvel at the wonders of nature, from fluffy duckings and cute fledglings to stunning birds of prey, from some of the more elusive or nocturnal wildlife of our islands like moles and weasels to the less obviously breathtaking moths and beetles.

So, thank you to all those individuals on these websites whose startling snapshots of the natural world provide such a regular and genuine source of delight – and make each and every day just that little bit special.

We will be only too happy to extend our list to include further recommendations if appropriate – bearing in mind, of course, that membership of any of the closed groups mentioned is subject to acceptance, and abiding by the rules of that group.