Picture of the week: 29/03/21

“I CAN barely remember a time when I didn’t paint, or wasn’t thinking about painting,” says Sue Graham.

Last week the Chilterns artist took us to the west coast of Scotland as she reflected on the challenges of a year like no other, and the need to put a remarkable family rewilding adventure on hold because of the pandemic and ongoing hospital treatment for cancer.

But this week’s picture choice takes us to the other end of the country and a hamlet on the edge of Dartmoor called Water.

BABBLING BROOK: Water, Dartmoor, oil on canvas board by Sue Graham

“Some of my favourite paths wind through it, crunching along stream beds, splashing through rivulets,” says Sue. “And everywhere there’s the music of water, gurgling, burbling, dripping. Such a life-affirming place.

“Parts of the trail are not quite stream, not quite path: my walking boots make a resonant crunching splash. There’s a half-derelict cottage on the edge of the path. It has the best location.”

Closer to home, another location with a story to tell is Henley-on-Thames in Oxfordshire.

“This painting marked a bit of a stylistic turning point for me in that it was my first mixed-media piece: I used spray paint, paint diffuser (that’s like a right-angled straw with a hole that you blow into), acrylic ink and acrylic paint,” says Sue.

SOUNDS OF SUMMER: Henley on Thames, Swifts by Sue Graham

Known for her colourful, expressive and atmospheric paintings in acrylics and oils, Sue frequently finds inspiration in natural landscapes and soundscapes.

“There is nothing (other than blackbird song, maybe) that brings me into a state of summery bliss than the screaming sounds of swifts. It’s the sound of childhood summers, of long evenings, of softness in the air, of possibilities as yet undreamed of.

“In this painting I tried to evoke that sense of ethereal joy: to honour the beauty of the bridge at Henley, without being over-literal in its depiction – photographs can do that better. I wanted to convey the the flow of the Thames and capture the sweetness of an early morning in summer, with the human world not yet making its presence felt, just the flow of water below with swifts wheeling overhead.”

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