Feast of light in the darkness

WRITING in The Independent a few years ago, then environment editor Michael McCarthy pondered on how many people today know what Candlemas is all about.

One in a hundred, perhaps? Maybe even fewer than that. But as well as explaining the background to the Christian holy day he also painted a marvellously evocative picture of what this day would have looked and felt like in the Middle Ages, when everyone in the parish brought their candles to church to be blessed by the priest.

HOLY DAY: candles were taken to church PICTURE: Simon Godfrey, Unsplash

On that gloomy February day the dark interior of a medieval church would become a sea of light when the candles were lit and set before the statue of the Virgin Mary – making it literally the brightest day of the year and a welcome reprieve after the gloom of January.

SEA OF LIGHT: Candlemas contrasts PICTURE: Mike Labrum, Unsplash

February 2 is also the day of snowdrops, with windowsills of monasteries, abbeys and churches decorated with the pure white flowers, or Candlemas bells as they were once called.

As flawless symbols of purity, they were the perfect flowers for the feast, and even today many of the country’s best snowdrop displays are clustered around churchyards and ancient religious foundations, ruined abbeys and priories, where they were planted with Candlemas in mind.

Perhaps that makes it all the more appropriate for author Melissa Harrison to refer to them as “tiny, candle-carrying nuns” lighting up the woods and verges.

CANDLEMAS BELLS: snowdrops in bloom PICTURE: Lesley Tilson

A warm January can mean plenty of snowdrops flower early, along with primroses, winter jasmine, gorse and other splashes of January colour, despite the old rhyme which says: “The snowdrop, in purest white array, first rears her head on Candlemas day.”

And there are numerous locations where sheets of the small white blooms provide dramatic displays for visitors braving the chill January air, including great houses like the National Trust gardens at Cliveden.

EARLY ARRIVALS: snowdrops at Cliveden PICTURE: National Trust/Hugh Mothersole

A powerful symbol of hope since biblical times, Galanthus nivalis means “milk flower” in Latin and the “drop” is not a drop of snow but a “drop” as in eardrop, the old word for earring – although legend has it that after Adam and Eve were expelled from the Garden of Eden and Eve was despairing that the cold winters would never end, an angel appeared and transformed some of the snowflakes into snowdrop flowers to prove that even the harshest of winters eventually give way to spring.

Snowdrops are popular among gardeners and galanthophiles are avid collectors of different snowdrop varieties. But it’s not just the simple beauty of the snowdrop which appeals.

SYMBOL OF PURITY: Cliveden snowdrops PICTURE: National Trust/Hugh Mothersole

As McCarthy argues in his Independent article it’s the timing of the flowers’ appearance that is symbolic too: “They’re the very first sign of something else, the Candlemas bells, an undeniable signal that the warm days will come again; and I’m sure they fill me with elation because what I am looking at, against the dead tones of the winter earth, is Hope, suddenly and unmistakably manifest in white.”

SIMPLE BEAUTY: a sign of warmer days to come PICTURE: Anne Rixon

For more information about snowdrops, check out Julia Stafford Allen’s wonderful blog entry.