MARK Avery knows a thing or two about birds.
He worked for the RSPB for 25 years until standing down in 2011 to go freelance and was the wildlife charity’s conservation director for nearly 13 years.
He’s also an author and blogger living in rural Northamptonshire, not to mention a tireless environmental campaigner, pictured above at Chris Packham’s 2018 People’s Walk for Wildlife in London.
Back in February 2020 his casual blog post about birdsong was meant to be a timely reminder about the wonders of the dawn chorus.
He wasn’t to know, of course, that within weeks the country would be in lockdown – and more people than ever before would be finding the sound of their local birds more reassuring and important than ever before.
In the first post he wrote about making his first cup of tea of the day at around 6am, taking a step outside the back door and hearing birdsong: a robin or two, a bunch of song thrushes and the occasional blackbird.
“Knowing the songs and calls of birds is a blessing,” he wrote. “I feel at home because I know those sounds, they are recognised, familiar, and loved.”
February is the time to start learning bird songs, he suggested, because there aren’t many bird species singing at this time of year so it’s not too confusing. “Start now. Start today,” he urged.
“Try it and see – it’s fun,” he added. “All this stuff has been going on around you all your life but you may never have stopped to listen. Give it a try.”
Perhaps it was inevitable that his first choice of bird to focus on (and one to which he repeatedly returned in subsequent blogs) was the great tit. As a junior research assistant in the zoology department in Oxford he produced scientific papers about the two-note tee-cher, tee-cher phrases that make this one of the easiest birds for novice ears to identify.
Song thrushes, dunnocks and blackbirds followed, and by March 20 it was the turn of the chiffchaff to take centre stage, just days before lockdown.
“Whenever I hear that first chiffchaff, even on the grottiest day, I know that spring is unfolding, as it always does, and that sunnier days and over the coming weeks a more or less predictable succession of other summer migrants are on their way back. And as a clarion call for spring, what could be better than the song of the chiffchaff?” Mark wrote.
A lifetime of listening has helped him accumulate a recognition of a range of different songs, and his blog entries encourage newcomers to make a start, ideally in February before the chorus grows, swelled by less familiar migrants.
To help the uninitiated, his posts link to recordings on xeno-canto, a website dedicated to sharing bird sounds from all over the world.
Mark advises newcomers to try to spot the songster first: then listening to some songs on the website can help to identify the most common species.
His blog introduces birds one by one, including the sparky robin – “lovely eyes but they are vicious little b*ggers” – along with the greenfinch, chaffinch, wren, skylark, willow warbler and cuckoo.
Accompanied by some glorious photographs from Tim Melling, “a naturalist who happens to take photographs of wildlife rather than a proper wildlife photographer”, Mark’s guides started taking on a life of their own, growing to more than 20 by the middle of April.
Follow the links below to the first dozen of Mark’s blogs:
The positive feedback might have been due in part to the fact that lockdown encouraged many families to take a new look at the world around them, exploring local lanes close to their homes and discovering some of the small delights of nature perhaps for the first time.
It’s the same kind of explosion of interest in the natural world that made the Self-Isolating Bird Club such a success, with as many as half a million viewers turning up to watch the “home-made” live show hosted by Chris Packham and stepdaughter Megan McCubbin.
Back on Mark’s blog, the entries grew rapidly during April and May, boosted by early morning walks in the countryside near his home and by the enthusiastic exchanges with followers.
Accompanied by more evocative pictures from Tim Melling, the April and May entries extend the scope into much less familiar territory, featuring yellowhammers and whitethroats, curlews, turtle doves and wood warblers: “This bird’s song is sublimely evocative for me. Hearing it, anywhere, even sitting here at my computer, takes me immediately back to the Welsh oakwood on the RSPB Dinas nature reserve.”
By May, Mark had reached his half-century of posts about birdsong, a singular achievement and a project that has brought a great of pleasure to so many.
With lockdown restrictions starting to ease, he signed off with a message to subscribers which read: “It’s summer. I wonder what summer will bing in terms of wildlife to my garden and to my locality, and where we will all be in terms of coronavirus in another three months. It’s a bit difficult to tell isn’t it?
“But nature is a source of solace in these times of uncertainty. I just hope that the last few weeks and the coming few months will embed the importance of nature around us in more minds, in more actions and in more government policies. That is one way that we can try to build a better world after this period of reflection.”
His followers probably share the same emotions. As one, Bimbling, put it: “I think the series has been wonderful and a great idea. Some of the blogs have prompted nostalgia, others desire. All have been interesting while some have been fascinating. So thank you so much for both the inspiration and effort to put them together. Much appreciated.”
Now we just need to wait until February each year for the dawn chorus to start again in earnest for a chance to make the most of Mark’s labour of love: but his extraordinary 50-part audio-visual journey through our heaths, hedgerows and woodlands might mean listening to the birds outside on a spring morning is never quite the same again.